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2023-2030全球音乐出版市场
市场调查报告书
商品编码
1270956

2023-2030全球音乐出版市场

Global Music Publishing Market 2023-2030
出版日期: | 出版商: Orion Market Research | 英文 | 商品交期: 2-3个工作天内

价格

到 2022 年，全球音乐出版市场的价值将达到 57 亿美元，预计到 2030 年将达到 90 亿美元，预测期内（2023 年至 2030 年）的复合年增长率为 6.7%。 全球不断发展的音乐产业是支持音乐出版市场增长的关键因素之一。 对音乐的兴趣和热情日益增长，尤其是在年轻一代中，导致全球举办的音乐会和现场表演的数量增加，直接推动了市场的增长。 此外，吸引大量观众的 EDM（电子舞曲）需求不断增长也推动了这一增长。 迈阿密的超级音乐节和墨西哥的调酒师、促销员和音乐家 (BPM) 节等 EDM 音乐节的成功刺激了全球现场音乐的发展。 由于这些因素，市场上的主要参与者也在采取战略，尤其是合作和合併，以保持竞争力。 例如，2022 年 5 月，数字收藏品市场 LimeWire 将与环球音乐集团 (UMG) 合作，成为第一个合作让更多人接触到数字音乐收藏品的主要音乐品牌。

细分市场展望

全球音乐出版市场根据版税进行细分。 基于版税，市场分为性能、同步、数字收入、物理收入和其他。 其中，随着消费者从实体音乐转向数字音乐，数字收入子部分预计在预测期内将占据很大的市场份额。

数字收入细分市场有望主导全球音乐出版市场

在预测期内，数字收入子部分预计将占全球音乐出版市场的很大份额。 音乐产业几年前开始随着流媒体復苏，但作曲家和出版商担心流媒体支付结构不均，录製音乐的权利人获得的报酬是出版收入的三倍，音乐行业反对不平衡的权力和支付结构 音乐出版公司的主要业务是依法取得和登记音乐的着作权，并在录音、广播、电视、电影、直播、印刷或其他媒体中发布和许可使用音乐。

区域展望

全球音乐出版市场分为北美（美国、加拿大）、欧洲（意大利、西班牙、德国、法国等）、亚太地区（印度、中国、日本、韩国等）和其他地区世界（中东和非洲、中美洲和南美洲）按地区进一步细分。 可以根据要求在特定区域或国家级别分析市场。 其中，由于音乐数字发行的广泛接受，预计北美将占据全球音乐出版市场的重要份额。

亚太地区有望主导全球音乐出版市场

就音乐出版收入而言，北美是增长最快的地区之一。 北美音乐出版商正在通过他们的乐谱增加更多收入。 美国占据全球音乐出版市场的最高份额。 这种增长背后的推动力是该国大量独立和传统的音乐出版商，为艺术家展示才华提供了最大的机会。 该地区已经建立了几个伙伴关係。 Atlas Music Group 与 Memoryrain Music Group 签署了全球管理和营销协议。 纳什维尔音乐行业资深人士乔迪威廉姆斯 (Jody Williams) 推出了乔迪威廉姆斯歌曲 (Jody Williams Songs)，这是与华纳查佩尔音乐纳什维尔 (Warner Chappell Music Nashville) 的合资出版企业。 此外，美国音乐节的上升趋势预计将进一步影响公共表演许可的收入。 美国目前大约有800个音乐节。

美国市场竞争激烈，既有大小音乐发行商，也有大型音乐发行商。 因此，出版商面临着在不牺牲质量的情况下增加年产量的压力。 此外，该国消费者的偏好正在从实体销售转向数字销售。 预计这些因素将推动市场的增长。

内容

第 1 章报告概述

行业现状分析及发展前景

  • 研究方法和工具
  • 市场细分
    • 按细分
    • 按地区

第 2 章市场概述和洞察

  • 调查范围
  • 分析师观点和当前市场趋势
    • 主要发现
    • 建议
    • 结论

第三章竞争格局

  • 主要公司分析
    • 概览
    • 财务分析
    • SWOT 分析
    • 近期趋势
  • 关键策略分析

第四章市场细分

  • 全球音乐出版市场：按版税分类
    • 表现
    • 同步
    • 数字收入
    • 体力收入
    • 其他

第五章区域分析

  • 北美
    • 美国
    • 加拿大
  • 欧洲
    • 英国
    • 德国
    • 意大利
    • 西班牙
    • 法国
    • 其他欧洲
  • 亚太地区
    • 中国
    • 印度
    • 日本
    • 韩国
    • 其他亚太地区
  • 世界其他地区

第六章公司简介

  • Abkco Music and Records Inc.
  • Atlas Music Publishing LLC
  • Bertelsmann SE and Co. KGaA
  • Big Yellow Dog Music
  • Black River Entertainment
  • BMG Rights Management
  • Broadcast Music Inc.
  • Concord Music Group Inc.
  • Downtown Music Holdings Group of Companies
  • Hipgnosis Songs Fund Ltd.
  • Kobalt Music Group Ltd.
  • Peermusic Inc.
  • Reach Global Inc.
  • Round Hill Music LP
  • Sony Group Corp.
  • SoundExchange Inc.
  • Super Cassettes Industries Ltd.
  • The Walt Disney Co.
  • Universal Music Group NV
  • Warner Music Group Corp
  • Wixen Music Publishing Inc.
Product Code: OMR2027243

The global music publishing market was valued at $5.7 billion in 2022, and is projected to reach $9.0 billion by 2030, registering a CAGR of 6.7% during the forecast period (2023-2030). The growing music industry across the globe is one of the key drivers supporting the growth of the music publishing market. The growing interest in music and passion for music among people, especially the younger generation has increased the number of concerts and live performances held globally, which is directly bolstering the market growth. This growth is further driven by the growing demand for EDM (electronic dance music), which draws large crowds. The success of EDM music festivals such as Ultra Music Festival in Miami and the Bartenders, Promoters, and Musicians (BPM) Festival in Mexico is spurring the growth of live music globally. Owing to such factor, the key players operating in the market are also adopting strategies such as collaborations and mergers, among others to stay competitive. For instance, in May 2022, LimeWire, a digital collectibles marketplace, announced that it had struck its first major music label partnership with Universal Music Group (UMG) and will collaborate on making digital music collectibles accessible to a wider audience.

Segmental Outlook:

The global music publishing market is segmented based on royalty. Based on the royalty, the market is sub-segmented into performance, synchronization, digital revenue, physical revenue, and others. Among these, the digital revenue sub-segment is expected to cater to a prominent market share over the forecast period, owing to the consumers' shift from physical to digital music.

The Digital Revenue Sub-Segment is Anticipated to Hold a Prominent Share of the Global Music Publishing Market

The digital revenue sub-segment is anticipated to hold a prominent share of the global music publishing market over the forecast period. The music industry began its streaming-fueled recovery a few years ago, and the songwriting and publishing communities have been opposing the uneven payment structure of streaming, which sees recorded-music rights holders being paid three times what publishing is paid, and the imbalanced power and payment structures of the music industry. Music publisher companies are primarily involved in acquiring and registering copyrights for musical compositions under the law and publicizing and authorizing the use of these compositions in recordings, radio, television, motion pictures, live performances, print, or other media.

Regional Outlooks:

The global music publishing market is further segmented based on geography including North America (the US, and Canada), Europe (Italy, Spain, Germany, France, and Others), Asia-Pacific (India, China, Japan, South Korea, and Others), and the Rest of the World (the Middle East & Africa, and Latin America). The market can be analyzed for a particular region or country level as per the requirement. Among these, North America is expected to hold a considerable share of the music publishing market across the globe, owing to the wide acceptance of the digital distribution of music.

The Asia-Pacific Region Is Expected To Hold Prominent Share in the Global Music Publishing Market

With regard to music publishing, North America is one of the fastest-growing regions in terms of revenue. North American music publishers are gaining momentum with sheet music, adding more revenue. The USA contributed the highest share of the global music publishing market. The growth is driven by numerous independent and traditional music publishing houses in the country, offering the maximum opportunity for artists to showcase their talent. The region witnessed several partnerships. The Atlas Music Group has made a global administration and marketing deal with Memory Lane Music Group. Nashville music industry veteran Jody Williams launched Jody Williams Songs, a joint publishing venture with Warner Chappell Music Nashville. In addition, the growing trend of music festivals in the United States is expected to further influence revenues from public performance licenses. Currently, there are about 800 music festivals in the United States.

The market in the United States is highly competitive, with both small and large music publishing houses present. This puts publishing houses under pressure to increase the number of albums they release yearly without sacrificing quality. The country is also shifting consumer preferences away from physical and digital sales. This factor is expected to help the market grow.

Market Players Outlook:

The major companies serving the global music publishing market include Sony Music Publishing LLC, Universal Music Publishing Group, Warner/Chappell Music Inc., Broadcast Music Inc., Concord Music Group Inc., and others. The market players are considerably contributing to the market growth by the adoption of various strategies including mergers and acquisitions, partnerships, collaborations, funding, and new product launches, to stay competitive in the market. For instance, in March 2021, Sony Music Publishing acquired the song catalog of the incomparable Paul Simon, one of the most significant singer-songwriters. The acquisition includes Paul Simon's classic songs spanning more than six decades.

The Report Covers:

  • Market value data analysis of 2022 and forecast to 2030.
  • Annualized market revenues ($ million) for each market segment.
  • Country-wise analysis of major geographical regions.
  • Key companies operating in the global music publishing market. Based on the availability of data, information related to new product launches, and relevant news is also available in the report.
  • Analysis of business strategies by identifying the key market segments positioned for strong growth in the future.
  • Analysis of market-entry and market expansion strategies.
  • Competitive strategies by identifying 'who-stands-where' in the market.

Table of Contents

1. Report Summary

Current Industry Analysis and Growth Potential Outlook

  • 1.1. Research Methods and Tools
  • 1.2. Market Breakdown
    • 1.2.1. By Segments
    • 1.2.2. By Region

2. Market Overview and Insights

  • 2.1. Scope of the Report
  • 2.2. Analyst Insight & Current Market Trends
    • 2.2.1. Key Findings
    • 2.2.2. Recommendations
    • 2.2.3. Conclusion

3. Competitive Landscape

  • 3.1. Key Company Analysis
    • 3.1.1. Overview
    • 3.1.2. Financial Analysis
    • 3.1.3. SWOT Analysis
    • 3.1.4. Recent Developments
  • 3.2. Key Strategy Analysis

4. Market Segmentation

  • 4.1. Global Music Publishing Market by Royalty
    • 4.1.1. Performance
    • 4.1.2. Synchronization
    • 4.1.3. Digital Revenue
    • 4.1.4. Physical Revenue
    • 4.1.5. Others

5. Regional Analysis

  • 5.1. North America
    • 5.1.1. United States
    • 5.1.2. Canada
  • 5.2. Europe
    • 5.2.1. UK
    • 5.2.2. Germany
    • 5.2.3. Italy
    • 5.2.4. Spain
    • 5.2.5. France
    • 5.2.6. Rest of Europe
  • 5.3. Asia-Pacific
    • 5.3.1. China
    • 5.3.2. India
    • 5.3.3. Japan
    • 5.3.4. South Korea
    • 5.3.5. Rest of Asia-Pacific
  • 5.4. Rest of the World

6. Company Profiles

  • 6.1. Abkco Music and Records Inc.
  • 6.2. Atlas Music Publishing LLC
  • 6.3. Bertelsmann SE and Co. KGaA
  • 6.4. Big Yellow Dog Music
  • 6.5. Black River Entertainment
  • 6.6. BMG Rights Management
  • 6.7. Broadcast Music Inc.
  • 6.8. Concord Music Group Inc.
  • 6.9. Downtown Music Holdings Group of Companies
  • 6.10. Hipgnosis Songs Fund Ltd.
  • 6.11. Kobalt Music Group Ltd.
  • 6.12. Peermusic Inc.
  • 6.13. Reach Global Inc.
  • 6.14. Round Hill Music LP
  • 6.15. Sony Group Corp.
  • 6.16. SoundExchange Inc.
  • 6.17. Super Cassettes Industries Ltd.
  • 6.18. The Walt Disney Co.
  • 6.19. Universal Music Group NV
  • 6.20. Warner Music Group Corp
  • 6.21. Wixen Music Publishing Inc.

LIST OF TABLES

  • 1. GLOBAL MUSIC PUBLISHING MARKET RESEARCH AND ANALYSIS BY ROYALTY, 2022-2030 ($ MILLION)
  • 2. GLOBAL PERFORMANCE IN MUSIC PUBLISHING MARKET RESEARCH AND ANALYSIS BY REGION, 2022-2030 ($ MILLION)
  • 3. GLOBAL SYNCHRONIZATION IN MUSIC PUBLISHING MARKET RESEARCH AND ANALYSIS BY REGION, 2022-2030 ($ MILLION)
  • 4. GLOBAL DIGITAL REVENUE IN MUSIC PUBLISHING MARKET RESEARCH AND ANALYSIS BY REGION, 2022-2030 ($ MILLION)
  • 5. GLOBAL PHYSICAL REVENUE IN MUSIC PUBLISHING MARKET RESEARCH AND ANALYSIS BY REGION, 2022-2030 ($ MILLION)
  • 6. GLOBAL OTHER ROYALTIES IN MUSIC PUBLISHING MARKET RESEARCH AND ANALYSIS BY REGION, 2022-2030 ($ MILLION)
  • 7. GLOBAL MUSIC PUBLISHING MARKET RESEARCH AND ANALYSIS BY REGION, 2022-2030 ($ MILLION)
  • 8. NORTH AMERICA MUSIC PUBLISHING MARKET RESEARCH AND ANALYSIS BY COUNTRY, 2022-2030 ($ MILLION)
  • 9. NORTH AMERICA MUSIC PUBLISHING MARKET RESEARCH AND ANALYSIS BY ROYALTY, 2022-2030 ($ MILLION)
  • 10. EUROPEAN MUSIC PUBLISHING MARKET RESEARCH AND ANALYSIS BY COUNTRY, 2022-2030 ($ MILLION)
  • 11. EUROPEAN MUSIC PUBLISHING MARKET RESEARCH AND ANALYSIS BY ROYALTY, 2022-2030 ($ MILLION)
  • 12. ASIA-PACIFIC MUSIC PUBLISHING MARKET RESEARCH AND ANALYSIS BY COUNTRY, 2022-2030 ($ MILLION)
  • 13. ASIA-PACIFIC MUSIC PUBLISHING MARKET RESEARCH AND ANALYSIS BY ROYALTY, 2022-2030 ($ MILLION)
  • 14. REST OF THE WORLD MUSIC PUBLISHING MARKET RESEARCH AND ANALYSIS BY COUNTRY, 2022-2030 ($ MILLION)
  • 15. REST OF THE WORLD MUSIC PUBLISHING MARKET RESEARCH AND ANALYSIS BY ROYALTY, 2022-2030 ($ MILLION)

LIST OF FIGURES

  • 1. GLOBAL MUSIC PUBLISHING MARKET SHARE ANALYSIS BY ROYALTY, 2022 VS 2030 (%)
  • 2. GLOBAL PERFORMANCE IN MUSIC PUBLISHING MARKET SHARE ANALYSIS BY REGION 2022 VS 2030 (%)
  • 3. GLOBAL SYNCHRONIZATION IN MUSIC PUBLISHING MARKET SHARE ANALYSIS BY REGION 2022 VS 2030 (%)
  • 4. GLOBAL DIGITAL REVENUE IN MUSIC PUBLISHING MARKET SHARE ANALYSIS BY REGION 2022 VS 2030 (%)
  • 5. GLOBAL PHYSICAL REVENUE IN MUSIC PUBLISHING MARKET SHARE ANALYSIS BY REGION 2022 VS 2030 (%)
  • 6. GLOBAL OTHER ROYALTIES IN MUSIC PUBLISHING MARKET SHARE ANALYSIS BY REGION 2022 VS 2030 (%)
  • 7. GLOBAL MUSIC PUBLISHING MARKET SHARE ANALYSIS BY REGION 2022 VS 2030 (%)
  • 8. US MUSIC PUBLISHING MARKET SIZE, 2022-2030 ($ MILLION)
  • 9. CANADA MUSIC PUBLISHING MARKET SIZE, 2022-2030 ($ MILLION)
  • 10. UK MUSIC PUBLISHING MARKET SIZE, 2022-2030 ($ MILLION)
  • 11. FRANCE MUSIC PUBLISHING MARKET SIZE, 2022-2030 ($ MILLION)
  • 12. GERMANY MUSIC PUBLISHING MARKET SIZE, 2022-2030 ($ MILLION)
  • 13. ITALY MUSIC PUBLISHING MARKET SIZE, 2022-2030 ($ MILLION)
  • 14. SPAIN MUSIC PUBLISHING MARKET SIZE, 2022-2030 ($ MILLION)
  • 15. REST OF EUROPE MUSIC PUBLISHING MARKET SIZE, 2022-2030 ($ MILLION)
  • 16. INDIA MUSIC PUBLISHING MARKET SIZE, 2022-2030 ($ MILLION)
  • 17. CHINA MUSIC PUBLISHING MARKET SIZE, 2022-2030 ($ MILLION)
  • 18. JAPAN MUSIC PUBLISHING MARKET SIZE, 2022-2030 ($ MILLION)
  • 19. SOUTH KOREA MUSIC PUBLISHING MARKET SIZE, 2022-2030 ($ MILLION)
  • 20. REST OF ASIA-PACIFIC MUSIC PUBLISHING MARKET SIZE, 2022-2030 ($ MILLION)
  • 21. REST OF THE WORLD MUSIC PUBLISHING MARKET SIZE, 2022-2030 ($ MILLION)