2023-2030年全球音乐制作软件市场
市场调查报告书
商品编码
1296916

2023-2030年全球音乐制作软件市场

Global Music Production Software Market 2023-2030

出版日期: | 出版商: Orion Market Research | 英文 130 Pages | 商品交期: 2-3个工作天内

价格

在预测期间(2023-2030年),全球音乐制作软件市场预计将以5.9%的可观复合增长率增长。该市场的增长归功于音乐技术和教育等因素。音乐技术和教育组涉及音频工程、音乐技术、流行音乐和创意产业的教育、社会和创业因素。全球的音乐教育工作者正在进行调整,将音乐技术课程纳入现有的音乐课程或开发全新的音乐技术课程。例如,2022年9月,Avid科技公司宣布了Pro Tools 2022.9版,加快了对创新的投资,为全球的音乐专业人士带来了前所未有的艺术性和生产力方面的进步。通过ARA 2技术直接整合Melodyne,能够在Pro Tools的用户界面内轻松操作音高和时间。

细分市场前景

全球视频点播市场根据类型和应用进行了细分。基于类型,市场被划分为编辑、混音、录制、分发、发布和社会共享。基于应用,市场被划分为专业用途和休闲用途。在这些类型中,由于对音乐制作软件的需求不断增加,录音子板块预计在预测期内会有相当大的复合增长率,这已经发展成为一门与录音和复制技术的进步不断联系的学科。

分销使用子领域预计将在全球音乐制作市场中占据突出份额

在该类型中,由于音乐领域对发行的需求不断增长,预计发行子板块将在全球视频点播市场占据突出份额。分销是指将音乐从艺术家那里拿到零售商那里,并让公众可以购买的过程。分发分享或释放音乐到广泛的实体和在线渠道和市场。在音乐商店和流媒体平台(如Spotify、Apple Music和Amazon Music)以及社交媒体平台(如Instagram和Tik Tok)上提供曲子供流媒体或下载的过程。

区域展望

目录

第一章:报告摘要

  • 当前行业分析和增长潜力展望
  • 研究方法和工具
  • 市场细分
    • 按领域划分
    • 按地区

第二章:市场概述和洞察力

  • 报告的范围
  • 分析师的洞察力和当前的市场趋势
    • 主要发现
    • 建议
    • 总结

第三章:竞争格局

  • 主要公司分析
  • Apple Inc.
    • 概述
    • 财务分析
    • SWOT分析
    • 近期发展情况
  • Adobe Inc.
    • 概况
    • 财务分析
    • SWOT分析
    • 近期发展
  • Avid Technology, Inc
    • 进展概况
    • 财务分析
    • SWOT分析
    • 近期发展情况
  • 关键战略分析

第四章:市场细分

  • 全球音乐制作软件市场的类型
    • 编辑类
    • 混音
    • 录制
    • 发行
    • 出版
    • 社会共享
  • 全球音乐制作软件市场的应用
    • 专业用途
    • 临时使用

第五章:区域分析

  • 北美洲
    • 美国
    • 加拿大
  • 欧洲
    • 英国
    • 德国
    • 意大利
    • 西班牙
    • 法国
    • 欧洲其他地区
  • 亚太地区
    • 中国
    • 印度
    • 日本
    • 韩国
    • 亚太其他地区
  • 世界其他地区

第六章:公司简介

  • Ableton AG
  • Acoustica Inc.
  • Audacity Ventures Pvt.
  • Cakewalk Inc.
  • Cockos Inc .
  • Cubase Pvt.
  • FL Studio
  • Logic Pro X
  • MAGIX Software GmbH
  • MOTU Ltd.
  • NCH Software
  • PreSonus Audio Electronics Inc.
  • Propellerhead Software
  • Steinberg Media Technologies Gmbh
  • Tracktion Software (TSC)
Product Code: OMR2027389

Title: Global Music Production Software Market Size, Share, and Trends Analysis Report by Type (Editing, Mixing, Recording, Distribution, Publishing, and Social Sharing), and by Application (Professional Use and Casual Use) Forecast Period (2023-2030).

The global music production software market is anticipated to grow at a considerable CAGR of 5.9% during the forecast period (2023-2030). The market's growth is attributed to factors such as music technology and education. The Music Technology and Education group is involved with the educational, social, and entrepreneurial elements of audio engineering, music technology, popular music, and the creative industries. Music educators across the globe are adapting to include music technology programmes into existing music sessions or developing total new music technology sessions. For instance, in September 2022, Avid Technology, Inc. announced Pro Tools release 2022.9, accelerating its investment in innovation to bring unprecedented advances in artistry and productivity for music professionals globally. The ability to easily manipulate pitch and time right inside the Pro Tools user interface via direct integration of Melodyne via ARA 2 technology.

Segmental Outlook

The global video on demand market is segmented based on type, and application. Based on the type, the market is segmented into editing, mixing, recording, distribution, publishing, and social sharing. Based on application, the market is segmented into professional use, and casual use. Among the type, the recording sub-segment is anticipated to grow at a considerable CAGR over the forecast period owing to the rising demand of music production software, which has developed into a discipline that is constantly linked to advancements in sound recording and reproduction technologies.

The Distribution Use Sub-Segment is Anticipated to Hold a Prominent Share of the Global Music Production Market

Among the type, the distribution sub-segment is expected to hold a prominent share of the global video-on-demand market due to the growing demand for distribution in the music sector. Distribution is the process of getting music from the artist to the retailer and making it available for purchase to the general public. The distribution sharing or releasing of music to a wide range of physical and online channels and marketplaces. The process of making the tunes available for streaming or download on music stores and streaming platforms such as Spotify, Apple Music, and Amazon Music, as well as social media platforms such as Instagram and Tik Tok.

Regional Outlook

The global music production software market is further segmented based on geography, including North America (the US and Canada), Europe (Italy, Spain, Germany, France, and Others), Asia-Pacific (India, China, Japan, South Korea, and Others), and the Rest of the World (the Middle East and Africa, and Latin America). Among these, the Asia-Pacific region is anticipated to grow at a significant rate over the forecast period, owing to the rise of the digital landscape and the ever-improving internet connectivity are driving the growth of the music production sector. Music streaming service companies' increased use of Big Data leads to better educated and effective advertising messages. Furthermore, an increasing number of regional players, such as KKBox, JOOX, and Yonder, continue to dominate the online music industry. .

Global Music Production Software Market Growth, by Region, 2023-2030

Source: OMR Analysis

North America is Expected to Hold a Prominent Share of the Global Music Production Software Market

Among all the regions, North America is expected to hold a prominent share in the music production software market, owing to increasing number of music producers and musicians are releasing albums, that has increased demand for music production software. For instance, in January 2022, the increased popularity of concerts, live events, and EDM encourages consumers to use DJ software to produce personal remix songs, increasing market demand. Musicians and DJs are also using the software to create their own versions of various music tracks, boosting the market's adoption of music production software. The increased use of DJ music in a variety of settings, including shopping malls, hotels, restaurants, and social gatherings, has accelerated market growth. The continuous growth of the media sector and expanding collaborations across the globe participants are anticipated to drive the growth industry.

Market players' outlook

The major companies serving the global video-on-demand market include Cockos Inc., MOTU Ltd., FL Studio, MAGIX Software GmbH, and Cakewalk Inc., among others. The market players are considerably contributing to market growth through the adoption of various strategies, including mergers and acquisitions, partnerships, collaborations, funding, and new product launches, to stay competitive in the market. For instance, in February 2022, PreSonus Audio Electronics, Inc. Announced the global launch of the AudioBox GO, the smallest, lightest, most portable PreSonus® audio. AudioBox GO is for musicians and producers seeking a simple and affordable method to begin their career in home music recording or content creation.

The report covers:

  • Market value data analysis for 2022 and forecast to 2030
  • Annualized market revenues ($ million) for each market segment.
  • Country-wise analysis of major geographical regions
  • Key companies operating in the global music production software market. Based on the availability of data, information related to new product launches, and relevant news is also available in the report.
  • Analysis of business strategies by identifying the key market segments positioned for strong growth in the future.
  • Analysis of market entry and market expansion strategies.
  • Competitive strategies by identifying 'who stands where' in the market.

Table of Contents

1. Report Summary

  • Current Industry Analysis and Growth Potential Outlook
  • 1.1. Research Methods and Tools
  • 1.2. Market Breakdown
    • 1.2.1. By Segments
    • 1.2.2. By Region

2. Market Overview and Insights

  • 2.1. Scope of the Report
  • 2.2. Analyst Insight & Current Market Trends
    • 2.2.1. Key Findings
    • 2.2.2. Recommendations
    • 2.2.3. Conclusion

3. Competitive Landscape

  • 3.1. Key Company Analysis
  • 3.2. Apple Inc.
    • 3.2.1. Overview
    • 3.2.2. Financial Analysis
    • 3.2.3. SWOT Analysis
    • 3.2.4. Recent Developments
  • 3.3. Adobe Inc.
    • 3.3.1. Overview
    • 3.3.2. Financial Analysis
    • 3.3.3. SWOT Analysis
    • 3.3.4. Recent Development
  • 3.4. Avid Technology, Inc
    • 3.4.1. Overview
    • 3.4.2. Financial Analysis
    • 3.4.3. SWOT Analysis
    • 3.4.4. Recent Developments
  • 3.5. Key Strategy Analysis

4. Market Segmentation

  • 4.1. Global Music Production Software Market by Type
    • 4.1.1. Editing
    • 4.1.2. Mixing
    • 4.1.3. Recording
    • 4.1.4. Distribution
    • 4.1.5. Publishing
    • 4.1.6. Social Sharing
  • 4.2. Global Music Production Software Market by Application
    • 4.2.1. Professional Use
    • 4.2.2. Casual Use

5. Regional Analysis

  • 5.1. North America
    • 5.1.1. United States
    • 5.1.2. Canada
  • 5.2. Europe
    • 5.2.1. UK
    • 5.2.2. Germany
    • 5.2.3. Italy
    • 5.2.4. Spain
    • 5.2.5. France
    • 5.2.6. Rest of Europe
  • 5.3. Asia-Pacific
    • 5.3.1. China
    • 5.3.2. India
    • 5.3.3. Japan
    • 5.3.4. South Korea
    • 5.3.5. Rest of Asia-Pacific
  • 5.4. Rest of the World

6. Company Profiles

  • 6.1. Ableton AG
  • 6.2. Acoustica Inc.
  • 6.3. Audacity Ventures Pvt.
  • 6.4. Cakewalk Inc.
  • 6.5. Cockos Inc .
  • 6.6. Cubase Pvt.
  • 6.7. FL Studio
  • 6.8. Logic Pro X
  • 6.9. MAGIX Software GmbH
  • 6.10. MOTU Ltd.
  • 6.11. NCH Software
  • 6.12. PreSonus Audio Electronics Inc.
  • 6.13. Propellerhead Software
  • 6.14. Steinberg Media Technologies Gmbh
  • 6.15. Tracktion Software (TSC)

LIST OF TABLES

  • 1. GLOBAL MUSIC PRODUCTION SOFTWARE MARKET RESEARCH AND ANALYSIS BY TYPE, 2023-2030 ($ MILLION)
  • 2. GLOBAL MUSIC PRODUCTION SOFTWARE FOR EDITING MARKET RESEARCH AND ANALYSIS BY REGION, 2023-2030 ($ MILLION)
  • 3. GLOBAL MUSIC PRODUCTION SOFTWARE FOR MIXING MARKET RESEARCH AND ANALYSIS BY REGION, 2023-2030 ($ MILLION)
  • 4. GLOBAL MUSIC PRODUCTION SOFTWARE FOR RECORDING MARKET RESEARCH AND ANALYSIS BY REGION, 2023-2030 ($ MILLION)
  • 5. GLOBAL MUSIC PRODUCTION SOFTWARE FOR DISTRIBUTION MARKET RESEARCH AND ANALYSIS BY REGION, 2023-2030 ($ MILLION)
  • 6. GLOBAL MUSIC PRODUCTION SOFTWARE FOR PUBLISHING MARKET RESEARCH AND ANALYSIS BY REGION, 2023-2030 ($ MILLION)
  • 7. GLOBAL MUSIC PRODUCTION SOFTWARE FOR SOCIAL SHARING MARKET RESEARCH AND ANALYSIS BY REGION, 2023-2030 ($ MILLION)
  • 8. GLOBAL MUSIC PRODUCTION SOFTWARE MARKET RESEARCH AND ANALYSIS BY APPLICATION, 2023-2030 ($ MILLION)
  • 9. GLOBAL MUSIC PRODUCTION SOFTWARE FOR PROFESSIONAL USE MARKET RESEARCH AND ANALYSIS BY REGION, 2023-2030 ($ MILLION)
  • 10. GLOBAL MUSIC PRODUCTION SOFTWARE FOR CASUAL USE MARKET RESEARCH AND ANALYSIS BY REGION, 2023-2030 ($ MILLION)
  • 11. GLOBAL MUSIC PRODUCTION SOFTWARE MARKET RESEARCH AND ANALYSIS BY REGION, 2023-2030 ($ MILLION)
  • 12. NORTH AMERICAN MUSIC PRODUCTION SOFTWARE MARKET RESEARCH AND ANALYSIS BY COUNTRY, 2023-2030 ($ MILLION)
  • 13. NORTH AMERICAN MUSIC PRODUCTION SOFTWARE MARKET RESEARCH AND ANALYSIS BY TYPE, 2023-2030 ($ MILLION)
  • 14. NORTH AMERICAN MUSIC PRODUCTION SOFTWARE MARKET RESEARCH AND ANALYSIS BY APPLICATION, 2023-2030 ($ MILLION)
  • 15. EUROPEAN MUSIC PRODUCTION SOFTWARE MARKET RESEARCH AND ANALYSIS BY COUNTRY, 2023-2030 ($ MILLION)
  • 16. EUROPEAN MUSIC PRODUCTION SOFTWARE MARKET RESEARCH AND ANALYSIS BY TYPE, 2023-2030 ($ MILLION)
  • 17. EUROPEAN MUSIC PRODUCTION SOFTWARE MARKET RESEARCH AND ANALYSIS BY APPLICATION, 2023-2030 ($ MILLION)
  • 18. ASIA-PACIFIC MUSIC PRODUCTION SOFTWARE MARKET RESEARCH AND ANALYSIS BY COUNTRY, 2023-2030 ($ MILLION)
  • 19. ASIA-PACIFIC MUSIC PRODUCTION SOFTWARE MARKET RESEARCH AND ANALYSIS BY TYPE, 2023-2030 ($ MILLION)
  • 20. ASIA-PACIFIC MUSIC PRODUCTION SOFTWARE MARKET RESEARCH AND ANALYSIS BY APPLICATION, 2023-2030 ($ MILLION)
  • 21. REST OF THE WORLD MUSIC PRODUCTION SOFTWARE MARKET RESEARCH AND ANALYSIS BY COUNTRY, 2023-2030 ($ MILLION)
  • 22. REST OF THE WORLD MUSIC PRODUCTION SOFTWARE MARKET RESEARCH AND ANALYSIS BY TYPE, 2023-2030 ($ MILLION)
  • 23. REST OF THE WORLD MUSIC PRODUCTION SOFTWARE MARKET RESEARCH AND ANALYSIS BY APPLICATION, 2023-2030 ($ MILLION)

LIST OF FIGURES

  • 1. GLOBAL MUSIC PRODUCTION SOFTWARE MARKET SHARE BY TYPE, 2023 VS 2030 (%)
  • 2. GLOBAL MUSIC PRODUCTION SOFTWARE FOR EDITING MARKET SHARE BY REGION, 2023 VS 2030 (%)
  • 3. GLOBAL MUSIC PRODUCTION SOFTWARE FOR MIXING MARKET SHARE BY REGION, 2023 VS 2030 (%)
  • 4. GLOBAL MUSIC PRODUCTION SOFTWARE FOR RECORDING MARKET SHARE BY REGION, 2023 VS 2030 (%)
  • 5. GLOBAL MUSIC PRODUCTION SOFTWARE FOR DISTRIBUTION MARKET SHARE BY REGION, 2023 VS 2030 (%)
  • 6. GLOBAL MUSIC PRODUCTION SOFTWARE FOR PUBLISHING MARKET SHARE BY REGION, 2023 VS 2030 (%)
  • 7. GLOBAL MUSIC PRODUCTION SOFTWARE FOR SOCIAL SHARING MARKET SHARE BY REGION, 2023 VS 2030 (%)
  • 8. GLOBAL MUSIC PRODUCTION SOFTWARE MARKET SHARE BY APPLICATION, 2023 VS 2030 (%)
  • 9. GLOBAL MUSIC PRODUCTION SOFTWARE FOR PROFESSIONAL USE MARKET SHARE BY REGION, 2023 VS 2030 (%)
  • 10. GLOBAL MUSIC PRODUCTION SOFTWARE FOR CASUAL USE MARKET SHARE BY REGION, 2023 VS 2030 (%)
  • 11. GLOBAL MUSIC PRODUCTION SOFTWARE MARKET SHARE BY REGION, 2023 VS 2030 (%)
  • 12. US MUSIC PRODUCTION SOFTWARE MARKET SIZE, 2023-2030 ($ MILLION)
  • 13. CANADA MUSIC PRODUCTION SOFTWARE MARKET SIZE, 2023-2030 ($ MILLION)
  • 14. UK MUSIC PRODUCTION SOFTWARE MARKET SIZE, 2023-2030 ($ MILLION)
  • 15. FRANCE MUSIC PRODUCTION SOFTWARE MARKET SIZE, 2023-2030 ($ MILLION)
  • 16. GERMANY MUSIC PRODUCTION SOFTWARE MARKET SIZE, 2023-2030 ($ MILLION)
  • 17. ITALY MUSIC PRODUCTION SOFTWARE MARKET SIZE, 2023-2030 ($ MILLION)
  • 18. SPAIN MUSIC PRODUCTION SOFTWARE MARKET SIZE, 2023-2030 ($ MILLION)
  • 19. REST OF EUROPE MUSIC PRODUCTION SOFTWARE MARKET SIZE, 2023-2030 ($ MILLION)
  • 20. INDIA MUSIC PRODUCTION SOFTWARE MARKET SIZE, 2023-2030 ($ MILLION)
  • 21. CHINA MUSIC PRODUCTION SOFTWARE MARKET SIZE, 2023-2030 ($ MILLION)
  • 22. JAPAN MUSIC PRODUCTION SOFTWARE MARKET SIZE, 2023-2030 ($ MILLION)
  • 23. SOUTH KOREA MUSIC PRODUCTION SOFTWARE MARKET SIZE, 2023-2030 ($ MILLION)
  • 24. REST OF ASIA-PACIFIC MUSIC PRODUCTION SOFTWARE MARKET SIZE, 2023-2030 ($ MILLION)
  • 25. REST OF THE WORLD MUSIC PRODUCTION SOFTWARE MARKET SIZE, 2023-2030 ($ MILLION)