The global market for Live Streaming Equipment was estimated to be worth US$ 2.69 billion in 2023 and is forecast to a readjusted size of US$ 3.92 billion by 2030 with a CAGR of 8.27% during the forecast period 2024-2030.
North American market for Live Streaming Equipment was valued at $ 844.08 million in 2023 and will reach $ 1,131.69 million by 2030, at a CAGR of 7.23% during the forecast period of 2024 through 2030.
Asia-Pacific market for Live Streaming Equipment was valued at $ 884.67 million in 2023 and will reach $ 1,433.15 million by 2030, at a CAGR of 9.76% during the forecast period of 2024 through 2030.
Europe market for Live Streaming Equipment was valued at $ 729.83 million in 2023 and will reach $ 1,007.52 million by 2030, at a CAGR of 7.29% during the forecast period of 2024 through 2030.
The global key companies of Live Streaming Equipment include Canon, Sony, Panasonic, Logitech, Elgato, MOMA, Aputure, FOR-A COMPANY LIMITED, and AVerMedia, etc. In 2023, the global five largest players hold a share approximately 51.32% in terms of revenue.
This report aims to provide a comprehensive presentation of the global market for Live Streaming Equipment, focusing on the total sales revenue, key companies market share and ranking, together with an analysis of Live Streaming Equipment by region & country, by Type, and by Application.
The Live Streaming Equipment market size, estimations, and forecasts are provided in terms of sales revenue ($ millions), considering 2023 as the base year, with history and forecast data for the period from 2019 to 2030. With both quantitative and qualitative analysis, to help readers develop business/growth strategies, assess the market competitive situation, analyze their position in the current marketplace, and make informed business decisions regarding Live Streaming Equipment.
Market Segmentation
By Company
- Canon
- Sony
- Panasonic
- Logitech
- Elgato
- MOMA
- Aputure
- FOR-A COMPANY LIMITED
- AVerMedia
- Crestron
- Extron
Segment by Type
- Camera
- Microphone
- Lighting
- Encoder
- Others
Segment by Application
- E-Commerce
- Entertainment
- Sports
- Education
- Others
By Region
- North America
- United States
- Canada
- Asia-Pacific
- China
- Japan
- South Korea
- Southeast Asia
- India
- Australia
- Rest of Asia-Pacific
- Europe
- Germany
- France
- U.K.
- Italy
- Nordic Countries
- Rest of Europe
- Latin America
- Mexico
- Brazil
- Rest of Latin America
- Middle East & Africa
Chapter Outline
Chapter 1: Introduces the report scope of the report, global total market size. This chapter also provides the market dynamics, latest developments of the market, the driving factors and restrictive factors of the market, the challenges and risks faced by manufacturers in the industry, and the analysis of relevant policies in the industry.
Chapter 2: Detailed analysis of Live Streaming Equipment company competitive landscape, revenue market share, latest development plan, merger, and acquisition information, etc.
Chapter 3: Provides the analysis of various market segments by Type, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different market segments.
Chapter 4: Provides the analysis of various market segments by Application, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different downstream markets.
Chapter 5: Revenue of Live Streaming Equipment in regional level. It provides a quantitative analysis of the market size and development potential of each region and introduces the market development, future development prospects, market space, and market size of each country in the world.
Chapter 6: Revenue of Live Streaming Equipment in country level. It provides sigmate data by Type, and by Application for each country/region.
Chapter 7: Provides profiles of key players, introducing the basic situation of the main companies in the market in detail, including product revenue, gross margin, product introduction, etc.
Chapter 8: Analysis of industrial chain, including the upstream and downstream of the industry.
Chapter 9: Conclusion.
Table of Contents
1 Market Overview
- 1.1 Live Streaming Equipment Product Introduction
- 1.2 Global Live Streaming Equipment Market Size Forecast (2019-2030)
- 1.3 Live Streaming Equipment Market Trends & Drivers
- 1.3.1 Live Streaming Equipment Industry Trends
- 1.3.2 Live Streaming Equipment Market Drivers & Opportunity
- 1.3.3 Live Streaming Equipment Market Restraints
- 1.4 Assumptions and Limitations
- 1.5 Study Objectives
- 1.6 Years Considered
2 Competitive Analysis by Company
- 2.1 Global Live Streaming Equipment Players Revenue Ranking (2023)
- 2.2 Global Live Streaming Equipment Revenue by Company (2019-2024)
- 2.3 Key Companies Live Streaming Equipment Manufacturing Base Distribution and Headquarters
- 2.4 Key Companies Live Streaming Equipment Product Offered
- 2.5 Live Streaming Equipment Market Competitive Analysis
- 2.5.1 Live Streaming Equipment Market Concentration Rate (2019-2024)
- 2.5.2 Global 5 and 10 Largest Companies by Live Streaming Equipment Revenue in 2023
- 2.5.3 Global Top Companies by Company Type (Tier 1, Tier 2, and Tier 3) & (based on the Revenue in Live Streaming Equipment as of 2023)
- 2.6 Mergers & Acquisitions, Expansion
3 Segmentation by Type
- 3.1 Introduction by Type
- 3.1.1 Camera
- 3.1.2 Microphone
- 3.1.3 Lighting
- 3.1.4 Encoder
- 3.1.5 Others
- 3.2 Global Live Streaming Equipment Sales Value by Type
- 3.2.1 Global Live Streaming Equipment Sales Value by Type (2019 VS 2023 VS 2030)
- 3.2.2 Global Live Streaming Equipment Sales Value, by Type (2019-2030)
- 3.2.3 Global Live Streaming Equipment Sales Value, by Type (%) (2019-2030)
4 Segmentation by Application
- 4.1 Introduction by Application
- 4.1.1 E-Commerce
- 4.1.2 Entertainment
- 4.1.3 Sports
- 4.1.4 Education
- 4.1.5 Others
- 4.2 Global Live Streaming Equipment Sales Value by Application
- 4.2.1 Global Live Streaming Equipment Sales Value by Application (2019 VS 2023 VS 2030)
- 4.2.2 Global Live Streaming Equipment Sales Value, by Application (2019-2030)
- 4.2.3 Global Live Streaming Equipment Sales Value, by Application (%) (2019-2030)
5 Segmentation by Region
- 5.1 Global Live Streaming Equipment Sales Value by Region
- 5.1.1 Global Live Streaming Equipment Sales Value by Region: 2019 VS 2023 VS 2030
- 5.1.2 Global Live Streaming Equipment Sales Value by Region (2019-2024)
- 5.1.3 Global Live Streaming Equipment Sales Value by Region (2025-2030)
- 5.1.4 Global Live Streaming Equipment Sales Value by Region (%), (2019-2030)
- 5.2 North America
- 5.2.1 North America Live Streaming Equipment Sales Value, 2019-2030
- 5.2.2 North America Live Streaming Equipment Sales Value by Country (%), 2023 VS 2030
- 5.3 Europe
- 5.3.1 Europe Live Streaming Equipment Sales Value, 2019-2030
- 5.3.2 Europe Live Streaming Equipment Sales Value by Country (%), 2023 VS 2030
- 5.4 Asia Pacific
- 5.4.1 Asia Pacific Live Streaming Equipment Sales Value, 2019-2030
- 5.4.2 Asia Pacific Live Streaming Equipment Sales Value by Region (%), 2023 VS 2030
- 5.5 Latin America
- 5.5.1 Latin America Live Streaming Equipment Sales Value, 2019-2030
- 5.5.2 Latin America Live Streaming Equipment Sales Value by Country (%), 2023 VS 2030
- 5.6 Middle East & Africa
6 Segmentation by Key Countries/Regions
- 6.1 Key Countries/Regions Live Streaming Equipment Sales Value Growth Trends, 2019 VS 2023 VS 2030
- 6.2 Key Countries/Regions Live Streaming Equipment Sales Value, 2019-2030
- 6.3 United States
- 6.3.1 United States Live Streaming Equipment Sales Value, 2019-2030
- 6.3.2 United States Live Streaming Equipment Sales Value by Type (%), 2023 VS 2030
- 6.3.3 United States Live Streaming Equipment Sales Value by Application, 2023 VS 2030
- 6.4 Europe
- 6.4.1 Europe Live Streaming Equipment Sales Value, 2019-2030
- 6.4.2 Europe Live Streaming Equipment Sales Value by Type (%), 2023 VS 2030
- 6.4.3 Europe Live Streaming Equipment Sales Value by Application, 2023 VS 2030
- 6.5 China
- 6.5.1 China Live Streaming Equipment Sales Value, 2019-2030
- 6.5.2 China Live Streaming Equipment Sales Value by Type (%), 2023 VS 2030
- 6.5.3 China Live Streaming Equipment Sales Value by Application, 2023 VS 2030
- 6.6 Japan
- 6.6.1 Japan Live Streaming Equipment Sales Value, 2019-2030
- 6.6.2 Japan Live Streaming Equipment Sales Value by Type (%), 2023 VS 2030
- 6.6.3 Japan Live Streaming Equipment Sales Value by Application, 2023 VS 2030
- 6.7 South Korea
- 6.7.1 South Korea Live Streaming Equipment Sales Value, 2019-2030
- 6.7.2 South Korea Live Streaming Equipment Sales Value by Type (%), 2023 VS 2030
- 6.7.3 South Korea Live Streaming Equipment Sales Value by Application, 2023 VS 2030
- 6.8 Southeast Asia
- 6.8.1 Southeast Asia Live Streaming Equipment Sales Value, 2019-2030
- 6.8.2 Southeast Asia Live Streaming Equipment Sales Value by Type (%), 2023 VS 2030
- 6.8.3 Southeast Asia Live Streaming Equipment Sales Value by Application, 2023 VS 2030
- 6.9 India
- 6.9.1 India Live Streaming Equipment Sales Value, 2019-2030
- 6.9.2 India Live Streaming Equipment Sales Value by Type (%), 2023 VS 2030
- 6.9.3 India Live Streaming Equipment Sales Value by Application, 2023 VS 2030
7 Company Profiles
- 7.1 Canon
- 7.1.1 Canon Profile
- 7.1.2 Canon Main Business
- 7.1.3 Canon Live Streaming Equipment Products, Services and Solutions
- 7.1.4 Canon Live Streaming Equipment Revenue (US$ Million) & (2019-2024)
- 7.2 Sony
- 7.2.1 Sony Profile
- 7.2.2 Sony Main Business
- 7.2.3 Sony Live Streaming Equipment Products, Services and Solutions
- 7.2.4 Sony Live Streaming Equipment Revenue (US$ Million) & (2019-2024)
- 7.3 Panasonic
- 7.3.1 Panasonic Profile
- 7.3.2 Panasonic Main Business
- 7.3.3 Panasonic Live Streaming Equipment Products, Services and Solutions
- 7.3.4 Panasonic Live Streaming Equipment Revenue (US$ Million) & (2019-2024)
- 7.4 Logitech
- 7.4.1 Logitech Profile
- 7.4.2 Logitech Main Business
- 7.4.3 Logitech Live Streaming Equipment Products, Services and Solutions
- 7.4.4 Logitech Live Streaming Equipment Revenue (US$ Million) & (2019-2024)
- 7.5 Elgato
- 7.5.1 Elgato Profile
- 7.5.2 Elgato Main Business
- 7.5.3 Elgato Live Streaming Equipment Products, Services and Solutions
- 7.5.4 Elgato Live Streaming Equipment Revenue (US$ Million) & (2019-2024)
- 7.6 MOMA
- 7.6.1 MOMA Profile
- 7.6.2 MOMA Main Business
- 7.6.3 MOMA Live Streaming Equipment Products, Services and Solutions
- 7.6.4 MOMA Live Streaming Equipment Revenue (US$ Million) & (2019-2024)
- 7.7 Aputure
- 7.7.1 Aputure Profile
- 7.7.2 Aputure Main Business
- 7.7.3 Aputure Live Streaming Equipment Products, Services and Solutions
- 7.7.4 Aputure Live Streaming Equipment Revenue (US$ Million) & (2019-2024)
- 7.8 FOR-A COMPANY LIMITED
- 7.8.1 FOR-A COMPANY LIMITED Profile
- 7.8.2 FOR-A COMPANY LIMITED Main Business
- 7.8.3 FOR-A COMPANY LIMITED Live Streaming Equipment Products, Services and Solutions
- 7.8.4 FOR-A COMPANY LIMITED Live Streaming Equipment Revenue (US$ Million) & (2019-2024)
- 7.9 AVerMedia
- 7.9.1 AVerMedia Profile
- 7.9.2 AVerMedia Main Business
- 7.9.3 AVerMedia Live Streaming Equipment Products, Services and Solutions
- 7.9.4 AVerMedia Live Streaming Equipment Revenue (US$ Million) & (2019-2024)
- 7.10 Crestron
- 7.10.1 Crestron Profile
- 7.10.2 Crestron Main Business
- 7.10.3 Crestron Live Streaming Equipment Products, Services and Solutions
- 7.10.4 Crestron Live Streaming Equipment Revenue (US$ Million) & (2019-2024)
- 7.11 Extron
- 7.11.1 Extron Profile
- 7.11.2 Extron Main Business
- 7.11.3 Extron Live Streaming Equipment Products, Services and Solutions
- 7.11.4 Extron Live Streaming Equipment Revenue (US$ Million) & (2019-2024)
8 Industry Chain Analysis
- 8.1 Live Streaming Equipment Industrial Chain
- 8.2 Live Streaming Equipment Upstream Analysis
- 8.2.1 Key Raw Materials
- 8.2.2 Raw Materials Key Suppliers
- 8.2.3 Manufacturing Cost Structure
- 8.3 Downstream Analysis (Customers Analysis)
- 8.4 Sales Model and Sales Channels
- 8.4.1 Live Streaming Equipment Sales Model
- 8.4.2 Live Streaming Equipment Distributors
9 Research Findings and Conclusion
10 Appendix
- 10.1 Research Methodology
- 10.1.1 Methodology/Research Approach
- 10.1.2 Data Source
- 10.2 Author Details
- 10.3 Disclaimer