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娱乐行业保险市场：2019-2029年全球市场规模、份额、趋势分析、机会和预测报告
市场调查报告书
商品编码
1301817

娱乐行业保险市场：2019-2029年全球市场规模、份额、趋势分析、机会和预测报告

Entertainment Insurance Market - Global Size, Share, Trend Analysis, Opportunity and Forecast Report, 2019-2029, Segmented By Insurance ; By Coverage ; By Distribution Channel ; By End User ; By Region
出版日期: | 出版商: Blueweave Consulting | 英文 400 Pages | 商品交期: 2-3个工作天内

价格
简介目录

到 2029 年，全球娱乐保险市场规模将增长一倍以上，达到 77.5 亿美元

由于技术进步以及娱乐行业采用高科技设备来提供最佳体验，全球娱乐保险市场正在蓬勃发展。

领先的战略咨询和市场研究公司 BlueWeave Consulting 最近的一项研究估计，2022 年全球娱乐保险市场价值将达到 38.5 亿美元。 BlueWeave预测，在2023-2029年的预测期内，全球娱乐保险市场规模将以10.50%的年复合成长率增长，到2029年将达到77.5亿美元。娱乐保险市场涵盖影视製作、现场活动、体育、音乐表演等娱乐行业。该市场高度专业化，为娱乐行业特有的风险提供了保障。技术进步和娱乐行业采用高科技设备来提供最佳体验预计将在未来几年提供利润丰厚的增长机会。娱乐业保险为保单持有人提供各种风险的承保，包括一般责任、法律费用以及昂贵相机和设备的损坏。因此，这些是推动市场增长的一些主要因素。

本报告的详细分析提供了有关全球娱乐保险市场的增长潜力、未来趋势和统计数据的信息。它还涵盖了推动市场总规模预测的因素。该报告承诺提供全球娱乐保险市场的最新技术发展以及行业见解，以帮助决策者做出明智的战略决策。它还分析了市场的增长促进因素、挑战和竞争动态。

目录

第1章研究框架

第2章执行摘要

第3章全球娱乐产业保险市场洞察

  • 行业价值链分析
  • DROC分析
    • 增长动力
      • 娱乐业增长
      • 保险公司加大促销活动
    • 抑制因素
      • 昂贵的娱乐保险
    • 机会
      • 科技的发展
      • 娱乐业对昂贵设备的采用率很高
    • 任务
      • 严格的规章制度
  • 技术进步/最新发展
  • 监管框架
  • 波特五力分析

第4章全球娱乐业保险市场概况

  • 2019-2029年市场规模及预测
    • 按金额
  • 市场份额及预测
    • 通过保险
      • 生产保险
      • 舞台和索具保险
      • 特别活动保险
      • 旅游保险
    • 按范围
      • 责任赔偿
      • 商业地产覆盖范围
      • 其他的
    • 按分销渠道
      • 经纪人
      • 非经纪人
    • 按最终用户
      • 商业
      • 个人
    • 按地区
      • 北美
      • 欧洲
      • 亚太地区 (APAC)
      • 拉丁美洲 (LATAM)
      • 中东和非洲 (MEA)

第5章北美娱乐保险市场

  • 2019-2029年市场规模及预测
    • 按金额
  • 市场份额及预测
    • 通过保险
    • 按范围
    • 按分销渠道
    • 按最终用户
    • 按国家/地区
      • 我们
      • 加拿大

第6章欧洲娱乐保险市场

  • 2019-2029年市场规模及预测
    • 按金额
  • 市场份额及预测
    • 通过保险
    • 按范围
    • 按分销渠道
    • 按最终用户
    • 按国家/地区
      • 德国
      • 英国
      • 意大利
      • 法国
      • 西班牙
      • 比利时
      • 俄罗斯
      • 荷兰
      • 其他欧洲国家

第7章亚太娱乐保险市场

  • 2019-2029年市场规模及预测
    • 按金额
  • 市场份额及预测
    • 通过保险
    • 按范围
    • 按分销渠道
    • 按最终用户
    • 按国家/地区
      • 中国
      • 印度
      • 日本
      • 韩国
      • 澳大利亚和新西兰
      • 印尼
      • 马来西亚
      • 新加坡
      • 越南
      • 亚太地区其他国家

第8章拉丁美洲娱乐保险市场

  • 2019-2029年市场规模及预测
    • 按金额
  • 市场份额及预测
    • 通过保险
    • 按范围
    • 按分销渠道
    • 按最终用户
    • 按国家/地区
      • 巴西
      • 墨西哥
      • 阿根廷
      • 秘鲁
      • 拉丁美洲其他地区

第9章中东和非洲娱乐业保险市场

  • 2019-2029年市场规模及预测
    • 按金额
  • 市场份额及预测
    • 通过保险
    • 按范围
    • 按分销渠道
    • 按最终用户
    • 按国家/地区
      • 沙特阿拉伯
      • 阿拉伯联合酋长国
      • 卡塔尔
      • 科威特
      • 南非
      • 尼日利亚
      • 阿尔及利亚
      • MEA 的其余部分

第10章竞争格局

  • 主要公司及其产品列表
  • 2022 年全球娱乐保险公司市场份额分析
  • 通过管理参数进行竞争基准测试
  • 主要战略发展（合併、收购、合作伙伴关係等）

第11章COVID-19 对全球娱乐业保险市场的影响

第12章公司简介（公司简介、财务矩阵、竞争格局、关键人才、主要竞争、联繫地址、战略展望、SWOT分析）

  • Allianz
  • Allen Financial Insurance Group
  • AXA XL Chubb
  • Everest Re Group, Ltd
  • Gallagher
  • Hub International
  • Higginbotham
  • Insurance Canopy
  • Marsh LLC
  • MFE INSURANCE BROKER
  • Next Insurance, Inc.
  • Ryan Specialty Group, LLC
  • The Hartford
  • Zensurance
  • Other Prominent Players

第13章关键战略建议

第14章调查方法

简介目录
Product Code: BWC23508

Global Entertainment Insurance Market Size More Than Doubles to Reach USD 7.75 Billion by 2029

The global entertainment insurance market is flourishing due to advances in technology and the adoption of high-tech equipment by the entertainment industry to provide the best possible experience.

BlueWeave Consulting, a leading strategic consulting and market research firm, in its recent study, estimated the global entertainment insurance market size estimated at USD 3.85 billion in 2022. During the forecast period between 2023 and 2029, BlueWeave expects the global entertainment insurance market size to grow at a CAGR of 10.50% reaching a value of USD 7.75 billion by 2029. The entertainment insurance market covers the entertainment industry, including film and television production, live events, sports, and music performances. The market is highly specialized and offers coverage for risks particular to the entertainment industry. Advancements in technology and the adoption of high-tech equipment by the entertainment industry to provide the best possible experience require the entertainment industry is expected to provide lucrative growth opportunities in the coming years. Entertainment insurance provides the policyholder with coverage against various risks, such as general liability, legal costs, and damage, to expensive cameras and equipment. Therefore, these are some of the major factors which will propel market growth.

Opportunity: High adoption of costly equipment by the entertainment industry

As the entertainment business expands, movie directors and producers strive to provide their audiences with the best cinematic experience possible. Nowadays, movies are made with a lot of VFX and special effects, which cost a lot of money and need the use of innovative technology. The use of cameras for shooting movies and music videos has evolved, and with time, the quality of the movies is improving based on the type of camera used, and technology for VFX and special effects is being implemented to further enhance the experience. However, the cost of using such high-tech cameras and VFX is prohibitively expensive, necessitating the purchase of entertainment insurance to protect them from damage. As a result of technological advancements and the use of expensive equipment for making films and organizing entertainment events, demand for entertainment insurance is expected to grow rapidly in the coming years, providing major lucrative opportunities for the entertainment insurance market growth.

Challenge: Stringent rules and regulations

Stringent rules and regulations related to the entertainment insurance sector are expected to hamper the growth of the market. The entertainment insurance industry is governed by an enormous number of rules and regulations that control the types of coverage available as well as the terms and conditions of insurance policies. While these regulations are intended to protect consumers and ensure the insurance industry's financial stability, they can also create obstacles to entry and limit the growth of the entertainment insurance market. The requirement for insurers to maintain specified reserve funds and meet other stability requirements is one example of a regulation that can impede the growth of the entertainment insurance industry. These criteria might be difficult for smaller insurance businesses to achieve, limiting competition in the market and leading to higher policyholder rates.

Impact of COVID-19 on Global Entertainment Insurance Market

The COVID-19 pandemic had an immense impact on the entertainment industry, which encompasses film and television production, live events, and sports. As a result, the pandemic affected the entertainment insurance market. The pandemic resulted in significant cancellations of film productions and live events, leading the entertainment industry to face significant financial losses. It also influenced the industry's insurance market, as many insurers had to pay out for policies covering cancellations and other losses due to the pandemic. In response to the pandemic, insurers reduced coverage limits and raised prices for entertainment insurance. This made it more difficult for entertainment enterprises to secure the necessary insurance coverage. Hence, the COVID-19 affected the growth of the global entertainment insurance market.

Segmental Information

Global Entertainment Insurance Market - By Coverage:

Based on coverage, the global entertainment insurance market is divided into liability coverage, commercial, property coverages, and other segments. Liability coverage is expected to be the fastest-growing coverage segment during the forecast period. Entertainment liability insurance protects performers from usual claims arising from their performances. This coverage can protect artists from both personal injury and product damage claims. The purpose of this coverage is to compensate the injured party in the event of a claim. It normally does not pay any legal payments or court costs incurred as a result of the case itself.

Global Entertainment Insurance Market - By Distribution Channel:

Based on distribution channel, the global entertainment insurance market is split into brokers and non-brokers segments. The brokers segment dominated the market and accounted for a significant market share. Entertainment insurance brokers assist entertainers in a variety of fields, including production, touring, staging and rigging, and special events. An entertainment insurance broker can assist in finding a competitively priced policy for the next film, whether professionals are working on a low-budget one-day shot or have a large budget for a special feature production.

Global Entertainment Insurance Market - By Region:

Asia Pacific is forecast to cover a significant share in the global entertainment insurance market over the forecast period. The Asia-Pacific entertainment insurance industry was expanding steadily, owing to an increase in the number of film and television productions in the region. The Asia-Pacific entertainment sector has been quickly developing as a result of the expansion of digital platforms, such as Netflix and Amazon Prime, which has resulted in an increase in the production of original content. The Asia-Pacific entertainment insurance market covers a wide range of risks associated with film and television production, including accidents, illness, natural catastrophes, and equipment damage.

Competitive Landscape:

The global entertainment insurance market is highly competitive, with all the players continually competing to gain a larger market share. The key players are Allianz, Allen Financial Insurance Group, AXA XL Chubb, Everest Re Group, Ltd, Gallagher, Hub International, Higginbotham, Insurance Canopy, Marsh LLC, MFE INSURANCE BROKER, Next Insurance, Inc., Ryan Specialty Group, LLC, The Hartford, and Zensurance.

The report's in-depth analysis provides information about growth potential, upcoming trends, and the Global Entertainment Insurance Market statistics. It also highlights the factors driving forecasts of total market size. The report promises to provide recent technology trends in the Global Entertainment Insurance Market along with industry insights to help decision-makers make sound strategic decisions. Furthermore, the report also analyses the growth drivers, challenges, and competitive dynamics of the market.

Table of Contents

1. Research Framework

  • 1.1. Research Objective
  • 1.2. Product Overview
  • 1.3. Market Segmentation

2. Executive Summary

3. Global Entertainment Insurance Market Insights

  • 3.1. Industry Value Chain Analysis
  • 3.2. DROC Analysis
    • 3.2.1. Growth Drivers
      • 3.2.1.1. Growth of Entertainment Industry
      • 3.2.1.2. Increase in Promotional Activities by Insurance Providers
    • 3.2.2. Restraints
      • 3.2.2.1. High Premiums for Entertainment Insurance
    • 3.2.3. Opportunities
      • 3.2.3.1. Advancement in Technology
      • 3.2.3.2. High adoption of costly equipment by the entertainment industry
    • 3.2.4. Challenges
      • 3.2.4.1. Stringent Rules and Regulations
  • 3.3. Technology Advancements/Recent Developments
  • 3.4. Regulatory Framework
  • 3.5. Porter's Five Forces Analysis
    • 3.5.1. Bargaining Power of Suppliers
    • 3.5.2. Bargaining Power of Buyers
    • 3.5.3. Threat of New Entrants
    • 3.5.4. Threat of Substitutes
    • 3.5.5. Intensity of Rivalry

4. Global Entertainment Insurance Market Overview

  • 4.1. Market Size & Forecast, 2019-2029
    • 4.1.1. By Value (USD Million)
  • 4.2. Market Share & Forecast
    • 4.2.1. By Insurance
      • 4.2.1.1. Production Insurance
      • 4.2.1.2. Staging & Rigging Insurance
      • 4.2.1.3. Special Event Insurance
      • 4.2.1.4. Touring Insurance
    • 4.2.2. By Coverage
      • 4.2.2.1. Liability Coverage
      • 4.2.2.2. Commercial Property Coverage
      • 4.2.2.3. Others
    • 4.2.3. By Distribution Channel
      • 4.2.3.1. Brokers
      • 4.2.3.2. Non-Brokers
    • 4.2.4. By End User
      • 4.2.4.1. Business
      • 4.2.4.2. Individuals
    • 4.2.5. By Region
      • 4.2.5.1. North America
      • 4.2.5.2. Europe
      • 4.2.5.3. Asia Pacific (APAC)
      • 4.2.5.4. Latin America (LATAM)
      • 4.2.5.5. Middle East and Africa (MEA)

5. North America Entertainment Insurance Market

  • 5.1. Market Size & Forecast, 2019-2029
    • 5.1.1. By Value (USD Million)
  • 5.2. Market Share & Forecast
    • 5.2.1. By Insurance
    • 5.2.2. By Coverage
    • 5.2.3. By Distribution Channel
    • 5.2.4. By End User
    • 5.2.5. By Country
      • 5.2.5.1. United States
      • 5.2.5.1.1. By Insurance
      • 5.2.5.1.2. By Coverage
      • 5.2.5.1.3. By Distribution Channel
      • 5.2.5.1.4. By End User
      • 5.2.5.2. Canada
      • 5.2.5.2.1. By Insurance
      • 5.2.5.2.2. By Coverage
      • 5.2.5.2.3. By Distribution Channel
      • 5.2.5.2.4. By End User

6. Europe Entertainment Insurance Market

  • 6.1. Market Size & Forecast, 2019-2029
    • 6.1.1. By Value (USD Million)
  • 6.2. Market Share & Forecast
    • 6.2.1. By Insurance
    • 6.2.2. By Coverage
    • 6.2.3. By Distribution Channel
    • 6.2.4. By End User
    • 6.2.5. By Country
      • 6.2.5.1. Germany
      • 6.2.5.1.1. By Insurance
      • 6.2.5.1.2. By Coverage
      • 6.2.5.1.3. By Distribution Channel
      • 6.2.5.1.4. By End User
      • 6.2.5.2. United Kingdom
      • 6.2.5.2.1. By Insurance
      • 6.2.5.2.2. By Coverage
      • 6.2.5.2.3. By Distribution Channel
      • 6.2.5.2.4. By End User
      • 6.2.5.3. Italy
      • 6.2.5.3.1. By Insurance
      • 6.2.5.3.2. By Coverage
      • 6.2.5.3.3. By Distribution Channel
      • 6.2.5.3.4. By End User
      • 6.2.5.4. France
      • 6.2.5.4.1. By Insurance
      • 6.2.5.4.2. By Coverage
      • 6.2.5.4.3. By Distribution Channel
      • 6.2.5.4.4. By End User
      • 6.2.5.5. Spain
      • 6.2.5.5.1. By Insurance
      • 6.2.5.5.2. By Coverage
      • 6.2.5.5.3. By Distribution Channel
      • 6.2.5.5.4. By End User
      • 6.2.5.6. Belgium
      • 6.2.5.6.1. By Insurance
      • 6.2.5.6.2. By Coverage
      • 6.2.5.6.3. By Distribution Channel
      • 6.2.5.6.4. By End User
      • 6.2.5.7. Russia
      • 6.2.5.7.1. By Insurance
      • 6.2.5.7.2. By Coverage
      • 6.2.5.7.3. By Distribution Channel
      • 6.2.5.7.4. By End User
      • 6.2.5.8. The Netherlands
      • 6.2.5.8.1. By Insurance
      • 6.2.5.8.2. By Coverage
      • 6.2.5.8.3. By Distribution Channel
      • 6.2.5.8.4. By End User
      • 6.2.5.9. Rest of Europe
      • 6.2.5.9.1. By Insurance
      • 6.2.5.9.2. By Coverage
      • 6.2.5.9.3. By Distribution Channel
      • 6.2.5.9.4. By End User

7. Asia-Pacific Entertainment Insurance Market

  • 7.1. Market Size & Forecast, 2019-2029
    • 7.1.1. By Value (USD Million)
  • 7.2. Market Share & Forecast
    • 7.2.1. By Insurance
    • 7.2.2. By Coverage
    • 7.2.3. By Distribution Channel
    • 7.2.4. By End User
    • 7.2.5. By Country
      • 7.2.5.1. China
      • 7.2.5.1.1. By Insurance
      • 7.2.5.1.2. By Coverage
      • 7.2.5.1.3. By Distribution Channel
      • 7.2.5.1.4. By End User
      • 7.2.5.2. India
      • 7.2.5.2.1. By Insurance
      • 7.2.5.2.2. By Coverage
      • 7.2.5.2.3. By Distribution Channel
      • 7.2.5.2.4. By End User
      • 7.2.5.3. Japan
      • 7.2.5.3.1. By Insurance
      • 7.2.5.3.2. By Coverage
      • 7.2.5.3.3. By Distribution Channel
      • 7.2.5.3.4. By End User
      • 7.2.5.4. South Korea
      • 7.2.5.4.1. By Insurance
      • 7.2.5.4.2. By Coverage
      • 7.2.5.4.3. By Distribution Channel
      • 7.2.5.4.4. By End User
      • 7.2.5.5. Australia & New Zealand
      • 7.2.5.5.1. By Insurance
      • 7.2.5.5.2. By Coverage
      • 7.2.5.5.3. By Distribution Channel
      • 7.2.5.5.4. By End User
      • 7.2.5.6. Indonesia
      • 7.2.5.6.1. By Insurance
      • 7.2.5.6.2. By Coverage
      • 7.2.5.6.3. By Distribution Channel
      • 7.2.5.6.4. By End User
      • 7.2.5.7. Malaysia
      • 7.2.5.7.1. By Insurance
      • 7.2.5.7.2. By Coverage
      • 7.2.5.7.3. By Distribution Channel
      • 7.2.5.7.4. By End User
      • 7.2.5.8. Singapore
      • 7.2.5.8.1. By Insurance
      • 7.2.5.8.2. By Coverage
      • 7.2.5.8.3. By Distribution Channel
      • 7.2.5.8.4. By End User
      • 7.2.5.9. Vietnam
      • 7.2.5.9.1. By Insurance
      • 7.2.5.9.2. By Coverage
      • 7.2.5.9.3. By Distribution Channel
      • 7.2.5.9.4. By End User
      • 7.2.5.10. Rest of APAC
      • 7.2.5.10.1. By Insurance
      • 7.2.5.10.2. By Coverage
      • 7.2.5.10.3. By Distribution Channel
      • 7.2.5.10.4. By End User

8. Latin America Entertainment Insurance Market

  • 8.1. Market Size & Forecast, 2019-2029
    • 8.1.1. By Value (USD Million)
  • 8.2. Market Share & Forecast
    • 8.2.1. By Insurance
    • 8.2.2. By Coverage
    • 8.2.3. By Distribution Channel
    • 8.2.4. By End User
    • 8.2.5. By Country
      • 8.2.5.1. Brazil
      • 8.2.5.1.1. By Insurance
      • 8.2.5.1.2. By Coverage
      • 8.2.5.1.3. By Distribution Channel
      • 8.2.5.1.4. By End User
      • 8.2.5.2. Mexico
      • 8.2.5.2.1. By Insurance
      • 8.2.5.2.2. By Coverage
      • 8.2.5.2.3. By Distribution Channel
      • 8.2.5.2.4. By End User
      • 8.2.5.3. Argentina
      • 8.2.5.3.1. By Insurance
      • 8.2.5.3.2. By Coverage
      • 8.2.5.3.3. By Distribution Channel
      • 8.2.5.3.4. By End User
      • 8.2.5.4. Peru
      • 8.2.5.4.1. By Insurance
      • 8.2.5.4.2. By Coverage
      • 8.2.5.4.3. By Distribution Channel
      • 8.2.5.4.4. By End User
      • 8.2.5.5. Rest of LATAM
      • 8.2.5.5.1. By Insurance
      • 8.2.5.5.2. By Coverage
      • 8.2.5.5.3. By Distribution Channel
      • 8.2.5.5.4. By End User

9. Middle East & Africa Entertainment Insurance Market

  • 9.1. Market Size & Forecast, 2019-2029
    • 9.1.1. By Value (USD Million)
  • 9.2. Market Share & Forecast
    • 9.2.1. By Insurance
    • 9.2.2. By Coverage
    • 9.2.3. By Distribution Channel
    • 9.2.4. By End User
    • 9.2.5. By Country
      • 9.2.5.1. Saudi Arabia
      • 9.2.5.1.1. By Insurance
      • 9.2.5.1.2. By Coverage
      • 9.2.5.1.3. By Distribution Channel
      • 9.2.5.1.4. By End User
      • 9.2.5.2. UAE
      • 9.2.5.2.1. By Insurance
      • 9.2.5.2.2. By Coverage
      • 9.2.5.2.3. By Distribution Channel
      • 9.2.5.2.4. By End User
      • 9.2.5.3. Qatar
      • 9.2.5.3.1. By Insurance
      • 9.2.5.3.2. By Coverage
      • 9.2.5.3.3. By Distribution Channel
      • 9.2.5.3.4. By End User
      • 9.2.5.4. Kuwait
      • 9.2.5.4.1. By Insurance
      • 9.2.5.4.2. By Coverage
      • 9.2.5.4.3. By Distribution Channel
      • 9.2.5.4.4. By End User
      • 9.2.5.5. South Africa
      • 9.2.5.5.1. By Insurance
      • 9.2.5.5.2. By Coverage
      • 9.2.5.5.3. By Distribution Channel
      • 9.2.5.5.4. By End User
      • 9.2.5.6. Nigeria
      • 9.2.5.6.1. By Insurance
      • 9.2.5.6.2. By Coverage
      • 9.2.5.6.3. By Distribution Channel
      • 9.2.5.6.4. By End User
      • 9.2.5.7. Algeria
      • 9.2.5.7.1. By Insurance
      • 9.2.5.7.2. By Coverage
      • 9.2.5.7.3. By Distribution Channel
      • 9.2.5.7.4. By End User
      • 9.2.5.8. Rest of MEA
      • 9.2.5.8.1. By Insurance
      • 9.2.5.8.2. By Coverage
      • 9.2.5.8.3. By Distribution Channel
      • 9.2.5.8.4. By End User

10. Competitive Landscape

  • 10.1. List of Key Players and Their Products
  • 10.2. Global Entertainment Insurance Company Market Share Analysis, 2022
  • 10.3. Competitive Benchmarking, By Operating Parameters
  • 10.4. Key Strategic Developments (Mergers, Acquisitions, Partnerships, etc.)

11. Impact of Covid-19 on Global Entertainment Insurance Market

12. Company Profile (Company Overview, Financial Matrix, Competitive Landscape, Key Personnel, Key Competitors, Contact Address, Strategic Outlook, SWOT Analysis)

  • 12.1. Allianz
  • 12.2. Allen Financial Insurance Group
  • 12.3. AXA XL Chubb
  • 12.4. Everest Re Group, Ltd
  • 12.5. Gallagher
  • 12.6. Hub International
  • 12.7. Higginbotham
  • 12.8. Insurance Canopy
  • 12.9. Marsh LLC
  • 12.10. MFE INSURANCE BROKER
  • 12.11. Next Insurance, Inc.
  • 12.12. Ryan Specialty Group, LLC
  • 12.13. The Hartford
  • 12.14. Zensurance
  • 12.15. Other Prominent Players

13. Key Strategic Recommendations

14. Research Methodology

  • 14.1. Qualitative Research
    • 14.1.1. Primary & Secondary Research
  • 14.2. Quantitative Research
  • 14.3. Market Breakdown & Data Triangulation
    • 14.3.1. Secondary Research
    • 14.3.2. Primary Research
  • 14.4. Breakdown of Primary Research Respondents, By Region
  • 14.5. Assumptions & Limitations