封面
市场调查报告书
商品编码
1945800

音乐串流市场-全球产业规模、份额、趋势、机会及预测(按服务、内容、平台、应用、地区和竞争格局划分,2021-2031年)

Music Streaming Market - Global Industry Size, Share, Trends, Opportunity, and Forecast, Segmented By Service, By Content, By Platform, By Application, By Region & Competition, 2021-2031F

出版日期: | 出版商: TechSci Research | 英文 180 Pages | 商品交期: 2-3个工作天内

价格

We offer 8 hour analyst time for an additional research. Please contact us for the details.

简介目录

全球音乐串流媒体市场预计将从 2025 年的 525.1 亿美元大幅成长至 2031 年的 1,177.7 亿美元,复合年增长率达 14.41%。

该行业涉及透过互联网进行音讯的数位分发,使用户无需下载檔案即可即时收听。推动这一成长的关键因素包括智慧型手机的普及、价格合理的宽频网路的日益普及,以及消费者对便利访问大量音乐库的偏好。基础设施和用户行为的这些变化为成熟市场和新兴市场中数位音讯服务的持续发展奠定了坚实的基础。

市场概览
预测期 2027-2031
市场规模:2025年 525.1亿美元
市场规模:2031年 1177.7亿美元
复合年增长率:2026-2031年 14.41%
成长最快的细分市场 直播
最大的市场 北美洲

根据国际唱片业协会(IFPI)发布的《2025年全球音乐报告》,2024年串流媒体收入将超过204亿美元,占全球录製音乐总收入的69%。付费订阅用户数量的成长是推动该产业发展的主要动力,全球用户已达7.52亿。儘管成长势头良好,但该市场仍面临着版权侵权和赔偿方面的重大挑战,这些问题源于生成式人工智慧系统未经授权使用授权内容。这些复杂的法律问题严重阻碍了市场稳定和权利持有人获得公平价值分配。

市场驱动因素

付费订阅和免费增值模式的日益普及是推动市场成长的关键因素。平台正利用内容所有权向基于访问的消费模式转变的趋势,透过提供更佳的音质、离线功能和无广告播放,有效地将广告支援用户转化为付费订阅用户。这种分级获利模式有助于稳定收入,抵御广告收入的波动,并使服务提供者能够在对价格敏感的新兴经济体中快速扩张。例如,Spotify 2024 年第三季财报显示,其全球高级用户年增 12%,达到 2.52 亿。此外,在美国等成熟市场,用户留存率依然强劲,美国唱片业协会 (RIAA) 报告称,2024 年付费订阅用户数量创下 9,900 万的纪录。

同时,播客和非音乐音讯库的扩张正在从根本上改变用户参与和平台价值。串流媒体服务正在演变为综合音讯生​​态系统,整合音讯内容以增加用户平台使用时长,并在竞争激烈的市场中脱颖而出。这种多元化有助于降低音乐授权成本,同时吸引更多对新闻、故事和教育内容感兴趣的用户,从而降低解约率。这项策略的成功在用户行为中显而易见:根据 Radio Ink 2024 年 11 月的数据显示,超过 2.5 亿用户在 Spotify 上收听视讯播客,这充分证明了多格式数位音讯体验的巨大吸引力。

市场挑战

未经授权使用授权内容的生成式人工智慧系统造成了法律上的复杂性,并威胁到全球音乐串流媒体市场的稳定性。当人工智慧模型在没有获得适当许可的情况下使用受版权保护的音讯资料进行训练时,它们会绕过既定的支付机制,降低专有曲库的价值。这种规避行为导致人工智慧生成的内容充斥串流媒体平台,稀释版税收入,并与人类创作的音乐直接争夺听众的注意力和收入。由此产生的版权执法不确定性会阻碍对新兴艺术家的投资,并削弱版权所有者持续创作所需的财务稳定性。

根据2024年GEMA和SACEM的数据,约71%的受访音乐创作者认为,不受监管的生成式人工智慧使用威胁到他们的收入和未来生计。这种普遍的担忧凸显了收入差距对产业供给面的实质影响。随着创作者面临收入损失的风险,市场摩擦日益加剧,危及高品质内容的持续供应,而这些内容对于维持整个生态系统的用户留存率和成长至关重要。

市场趋势

随着平台从静态播放清单转向即时生成式内容策划,人工智慧驱动的超个人化和情境化建议正在重塑用户互动策略。串流媒体服务正利用大规模语言模型开发动态AI DJ和基于提示的播放清单生成等功能,以便根据特定用户的心情、活动和时间段定制收听体验。这项技术进步提高了内容的可发现性,并透过提升用户留存率和推动用户升级到高级套餐来增强获利能力。根据纳斯达克2025年7月报道,人工智慧播放清单功能在新市场的推出,促成了2025年第一季每用户平均收入(ARPU)年增4%。

同时,小众、地域性音乐作品的兴起正在瓦解全球串流媒体市场,并打破英美内容的垄断地位。在新兴市场,随着平台强化在地化发现演算法并支持区域艺术家生态系统,本土内容消费激增,有效触达了高成长地区对具有文化相关性音频的受众。这一趋势正在成熟经济体中催生“市场分化”,即国际扩张超过了国内市场饱和度。根据《全球音乐商业》(Music Business Worldwide)2025年1月发布的报告显示,美国以外地区的音讯串流随选较去年同期成长17.3%,远超美国6.4%的成长速度。

目录

第一章概述

第二章调查方法

第三章执行摘要

第四章:客户评价

第五章 全球音乐串流媒体市场展望

  • 市场规模及预测
    • 按金额
  • 市占率及预测
    • 依服务类型(点播串流、直播串流)
    • 按内容(音讯、视讯)
    • 按平台(基于应用程式、基于 Web)
    • 用途(个人、商业)
    • 按地区
    • 按公司(2025 年)
  • 市场地图

第六章:北美音乐串流市场展望

  • 市场规模及预测
  • 市占率及预测
  • 北美洲:国家分析
    • 我们
    • 加拿大
    • 墨西哥

第七章:欧洲音乐串流媒体市场展望

  • 市场规模及预测
  • 市占率及预测
  • 欧洲:国家分析
    • 德国
    • 法国
    • 英国
    • 义大利
    • 西班牙

第八章:亚太地区音乐串流市场展望

  • 市场规模及预测
  • 市占率及预测
  • 亚太地区:国家分析
    • 中国
    • 印度
    • 日本
    • 韩国
    • 澳洲

第九章:中东和非洲音乐串流市场展望

  • 市场规模及预测
  • 市占率及预测
  • 中东和非洲:国家分析
    • 沙乌地阿拉伯
    • 阿拉伯聯合大公国
    • 南非

第十章:南美洲音乐串流市场展望

  • 市场规模及预测
  • 市占率及预测
  • 南美洲:国家分析
    • 巴西
    • 哥伦比亚
    • 阿根廷

第十一章 市场动态

  • 司机
  • 任务

第十二章 市场趋势与发展

  • 併购
  • 产品发布
  • 最新进展

第十三章:全球音乐串流媒体市场:SWOT分析

第十四章:波特五力分析

  • 产业竞争
  • 新进入者的可能性
  • 供应商电力
  • 顾客权力
  • 替代品的威胁

第十五章 竞争格局

  • Spotify USA Inc.
  • Apple Inc.
  • Google LLC
  • Amazon.com Services LLC
  • Tencent Music Entertainment Group
  • SoundCloud Limited
  • Deezer SA
  • Block, Inc.
  • Pandora Media, LLC
  • Xandrie SA

第十六章 策略建议

第十七章:关于研究公司及免责声明

简介目录
Product Code: 14166

The Global Music Streaming Market is projected to expand significantly, growing from USD 52.51 Billion in 2025 to USD 117.77 Billion by 2031, reflecting a compound annual growth rate of 14.41%. This industry involves the digital distribution of audio over the internet, enabling users to listen in real time without needing to download files. The primary factors driving this growth include the widespread adoption of smartphones, the increasing availability of affordable broadband internet, and consumer preference for convenient access to vast music libraries. These infrastructural and behavioral changes provide a solid foundation for the continued development of digital audio services in both established and emerging markets.

Market Overview
Forecast Period2027-2031
Market Size 2025USD 52.51 Billion
Market Size 2031USD 117.77 Billion
CAGR 2026-203114.41%
Fastest Growing SegmentLive Streaming
Largest MarketNorth America

According to the IFPI Global Music Report 2025, streaming revenues exceeded 20.4 billion US dollars in 2024, accounting for 69 percent of total global recorded music income. This sector was supported by an increase in paid subscription accounts, which totaled 752 million users worldwide. Despite this positive trajectory, the market faces substantial challenges regarding copyright infringement and compensation issues arising from the unauthorized use of licensed content by generative artificial intelligence systems. These legal complexities present a major obstacle to market stability and the fair distribution of value to rights holders.

Market Driver

The rising adoption of paid subscription and freemium models acts as the main financial engine driving the market. Platforms are effectively converting ad-supported users into premium subscribers by providing better audio quality, offline capabilities, and ad-free listening, capitalizing on the transition from content ownership to access-based consumption. This tiered monetization approach stabilizes revenue against advertising fluctuations and enables providers to scale quickly in price-sensitive emerging economies. For instance, Spotify's 'Third Quarter 2024 Earnings' report noted a 12% year-over-year increase in premium subscribers, reaching 252 million globally. Additionally, in mature markets like the United States, user retention remains strong, with the Recording Industry Association of America (RIAA) reporting a record 99 million paid subscriptions in 2024.

Simultaneously, the expansion of podcast and non-music audio libraries is fundamentally changing user engagement and platform value. Streaming services are developing into comprehensive audio ecosystems by integrating spoken-word content to increase time spent on the platform and distinguish themselves in a competitive market. This diversification helps lower music licensing costs while attracting a wider audience interested in news, storytelling, and education, thereby reducing churn. The success of this strategy is evident in user behavior; according to Radio Ink in November 2024, over 250 million users streamed video podcasts on Spotify, demonstrating the significant appeal of multi-format digital audio experiences.

Market Challenge

The unauthorized use of licensed content by generative artificial intelligence systems presents a legal complexity that undermines the stability of the global music streaming market. When AI models are trained on copyrighted audio without obtaining proper licenses, they bypass established payment structures and devalue proprietary catalogs. This circumvention enables AI-generated material to flood streaming platforms, diluting royalty pools and competing directly with human-created music for listener attention and revenue. The resulting uncertainty regarding copyright enforcement deters investment in new talent and disrupts the financial predictability necessary for rights holders to sustain production.

Data from GEMA and SACEM in 2024 indicates that approximately 71 percent of music creators surveyed believe the unregulated use of generative AI threatens their income and future livelihood. This widespread concern highlights the tangible impact of remuneration gaps on the supply side of the industry. As creators face the risk of revenue displacement, the market experiences friction that jeopardizes the continuous flow of high-quality content required to maintain subscriber retention and overall ecosystem growth.

Market Trends

User engagement strategies are being reshaped by the adoption of AI-driven hyper-personalization and contextual recommendations, as platforms shift from static playlists to real-time, generative content curation. Streaming services are increasingly using large language models to develop features such as dynamic AI DJs and prompt-based playlist generation, which customize listening sessions based on specific user moods, activities, and times of day. This technological advancement improves content discovery and boosts monetization by driving higher user retention and encouraging upgrades to premium tiers. As reported by Nasdaq in July 2025, the rollout of AI playlist features to new markets helped contribute to a 4% average year-over-year revenue per user (ARPU) growth in the first quarter of 2025.

Concurrently, the rise of niche and localized regional music repertoires is decentralizing the global streaming landscape, signaling a shift away from Anglo-centric content dominance. Emerging markets are seeing a boom in domestic content consumption as platforms enhance local discovery algorithms and support regional artist ecosystems, effectively capturing audiences in high-growth areas that prefer culturally relevant audio. This trend is fostering a two-speed market where international expansion exceeds domestic saturation in mature economies. According to Music Business Worldwide in January 2025, on-demand audio streaming growth in non-US regions reached 17.3% year-over-year, more than double the 6.4% growth rate observed in the United States.

Key Market Players

  • Spotify USA Inc.
  • Apple Inc.
  • Google LLC
  • Amazon.com Services LLC
  • Tencent Music Entertainment Group
  • SoundCloud Limited
  • Deezer S.A.
  • Block, Inc.
  • Pandora Media, LLC
  • Xandrie S.A.

Report Scope

In this report, the Global Music Streaming Market has been segmented into the following categories, in addition to the industry trends which have also been detailed below:

Music Streaming Market, By Service

  • On-Demand Streaming
  • Live Streaming

Music Streaming Market, By Content

  • Audio
  • Video

Music Streaming Market, By Platform

  • Application based
  • Web based

Music Streaming Market, By Application

  • Individual
  • Commercial

Music Streaming Market, By Region

  • North America
    • United States
    • Canada
    • Mexico
  • Europe
    • France
    • United Kingdom
    • Italy
    • Germany
    • Spain
  • Asia Pacific
    • China
    • India
    • Japan
    • Australia
    • South Korea
  • South America
    • Brazil
    • Argentina
    • Colombia
  • Middle East & Africa
    • South Africa
    • Saudi Arabia
    • UAE

Competitive Landscape

Company Profiles: Detailed analysis of the major companies present in the Global Music Streaming Market.

Available Customizations:

Global Music Streaming Market report with the given market data, TechSci Research offers customizations according to a company's specific needs. The following customization options are available for the report:

Company Information

  • Detailed analysis and profiling of additional market players (up to five).

Table of Contents

1. Product Overview

  • 1.1. Market Definition
  • 1.2. Scope of the Market
    • 1.2.1. Markets Covered
    • 1.2.2. Years Considered for Study
    • 1.2.3. Key Market Segmentations

2. Research Methodology

  • 2.1. Objective of the Study
  • 2.2. Baseline Methodology
  • 2.3. Key Industry Partners
  • 2.4. Major Association and Secondary Sources
  • 2.5. Forecasting Methodology
  • 2.6. Data Triangulation & Validation
  • 2.7. Assumptions and Limitations

3. Executive Summary

  • 3.1. Overview of the Market
  • 3.2. Overview of Key Market Segmentations
  • 3.3. Overview of Key Market Players
  • 3.4. Overview of Key Regions/Countries
  • 3.5. Overview of Market Drivers, Challenges, Trends

4. Voice of Customer

5. Global Music Streaming Market Outlook

  • 5.1. Market Size & Forecast
    • 5.1.1. By Value
  • 5.2. Market Share & Forecast
    • 5.2.1. By Service (On-Demand Streaming, Live Streaming)
    • 5.2.2. By Content (Audio, Video)
    • 5.2.3. By Platform (Application based, Web based)
    • 5.2.4. By Application (Individual, Commercial)
    • 5.2.5. By Region
    • 5.2.6. By Company (2025)
  • 5.3. Market Map

6. North America Music Streaming Market Outlook

  • 6.1. Market Size & Forecast
    • 6.1.1. By Value
  • 6.2. Market Share & Forecast
    • 6.2.1. By Service
    • 6.2.2. By Content
    • 6.2.3. By Platform
    • 6.2.4. By Application
    • 6.2.5. By Country
  • 6.3. North America: Country Analysis
    • 6.3.1. United States Music Streaming Market Outlook
      • 6.3.1.1. Market Size & Forecast
        • 6.3.1.1.1. By Value
      • 6.3.1.2. Market Share & Forecast
        • 6.3.1.2.1. By Service
        • 6.3.1.2.2. By Content
        • 6.3.1.2.3. By Platform
        • 6.3.1.2.4. By Application
    • 6.3.2. Canada Music Streaming Market Outlook
      • 6.3.2.1. Market Size & Forecast
        • 6.3.2.1.1. By Value
      • 6.3.2.2. Market Share & Forecast
        • 6.3.2.2.1. By Service
        • 6.3.2.2.2. By Content
        • 6.3.2.2.3. By Platform
        • 6.3.2.2.4. By Application
    • 6.3.3. Mexico Music Streaming Market Outlook
      • 6.3.3.1. Market Size & Forecast
        • 6.3.3.1.1. By Value
      • 6.3.3.2. Market Share & Forecast
        • 6.3.3.2.1. By Service
        • 6.3.3.2.2. By Content
        • 6.3.3.2.3. By Platform
        • 6.3.3.2.4. By Application

7. Europe Music Streaming Market Outlook

  • 7.1. Market Size & Forecast
    • 7.1.1. By Value
  • 7.2. Market Share & Forecast
    • 7.2.1. By Service
    • 7.2.2. By Content
    • 7.2.3. By Platform
    • 7.2.4. By Application
    • 7.2.5. By Country
  • 7.3. Europe: Country Analysis
    • 7.3.1. Germany Music Streaming Market Outlook
      • 7.3.1.1. Market Size & Forecast
        • 7.3.1.1.1. By Value
      • 7.3.1.2. Market Share & Forecast
        • 7.3.1.2.1. By Service
        • 7.3.1.2.2. By Content
        • 7.3.1.2.3. By Platform
        • 7.3.1.2.4. By Application
    • 7.3.2. France Music Streaming Market Outlook
      • 7.3.2.1. Market Size & Forecast
        • 7.3.2.1.1. By Value
      • 7.3.2.2. Market Share & Forecast
        • 7.3.2.2.1. By Service
        • 7.3.2.2.2. By Content
        • 7.3.2.2.3. By Platform
        • 7.3.2.2.4. By Application
    • 7.3.3. United Kingdom Music Streaming Market Outlook
      • 7.3.3.1. Market Size & Forecast
        • 7.3.3.1.1. By Value
      • 7.3.3.2. Market Share & Forecast
        • 7.3.3.2.1. By Service
        • 7.3.3.2.2. By Content
        • 7.3.3.2.3. By Platform
        • 7.3.3.2.4. By Application
    • 7.3.4. Italy Music Streaming Market Outlook
      • 7.3.4.1. Market Size & Forecast
        • 7.3.4.1.1. By Value
      • 7.3.4.2. Market Share & Forecast
        • 7.3.4.2.1. By Service
        • 7.3.4.2.2. By Content
        • 7.3.4.2.3. By Platform
        • 7.3.4.2.4. By Application
    • 7.3.5. Spain Music Streaming Market Outlook
      • 7.3.5.1. Market Size & Forecast
        • 7.3.5.1.1. By Value
      • 7.3.5.2. Market Share & Forecast
        • 7.3.5.2.1. By Service
        • 7.3.5.2.2. By Content
        • 7.3.5.2.3. By Platform
        • 7.3.5.2.4. By Application

8. Asia Pacific Music Streaming Market Outlook

  • 8.1. Market Size & Forecast
    • 8.1.1. By Value
  • 8.2. Market Share & Forecast
    • 8.2.1. By Service
    • 8.2.2. By Content
    • 8.2.3. By Platform
    • 8.2.4. By Application
    • 8.2.5. By Country
  • 8.3. Asia Pacific: Country Analysis
    • 8.3.1. China Music Streaming Market Outlook
      • 8.3.1.1. Market Size & Forecast
        • 8.3.1.1.1. By Value
      • 8.3.1.2. Market Share & Forecast
        • 8.3.1.2.1. By Service
        • 8.3.1.2.2. By Content
        • 8.3.1.2.3. By Platform
        • 8.3.1.2.4. By Application
    • 8.3.2. India Music Streaming Market Outlook
      • 8.3.2.1. Market Size & Forecast
        • 8.3.2.1.1. By Value
      • 8.3.2.2. Market Share & Forecast
        • 8.3.2.2.1. By Service
        • 8.3.2.2.2. By Content
        • 8.3.2.2.3. By Platform
        • 8.3.2.2.4. By Application
    • 8.3.3. Japan Music Streaming Market Outlook
      • 8.3.3.1. Market Size & Forecast
        • 8.3.3.1.1. By Value
      • 8.3.3.2. Market Share & Forecast
        • 8.3.3.2.1. By Service
        • 8.3.3.2.2. By Content
        • 8.3.3.2.3. By Platform
        • 8.3.3.2.4. By Application
    • 8.3.4. South Korea Music Streaming Market Outlook
      • 8.3.4.1. Market Size & Forecast
        • 8.3.4.1.1. By Value
      • 8.3.4.2. Market Share & Forecast
        • 8.3.4.2.1. By Service
        • 8.3.4.2.2. By Content
        • 8.3.4.2.3. By Platform
        • 8.3.4.2.4. By Application
    • 8.3.5. Australia Music Streaming Market Outlook
      • 8.3.5.1. Market Size & Forecast
        • 8.3.5.1.1. By Value
      • 8.3.5.2. Market Share & Forecast
        • 8.3.5.2.1. By Service
        • 8.3.5.2.2. By Content
        • 8.3.5.2.3. By Platform
        • 8.3.5.2.4. By Application

9. Middle East & Africa Music Streaming Market Outlook

  • 9.1. Market Size & Forecast
    • 9.1.1. By Value
  • 9.2. Market Share & Forecast
    • 9.2.1. By Service
    • 9.2.2. By Content
    • 9.2.3. By Platform
    • 9.2.4. By Application
    • 9.2.5. By Country
  • 9.3. Middle East & Africa: Country Analysis
    • 9.3.1. Saudi Arabia Music Streaming Market Outlook
      • 9.3.1.1. Market Size & Forecast
        • 9.3.1.1.1. By Value
      • 9.3.1.2. Market Share & Forecast
        • 9.3.1.2.1. By Service
        • 9.3.1.2.2. By Content
        • 9.3.1.2.3. By Platform
        • 9.3.1.2.4. By Application
    • 9.3.2. UAE Music Streaming Market Outlook
      • 9.3.2.1. Market Size & Forecast
        • 9.3.2.1.1. By Value
      • 9.3.2.2. Market Share & Forecast
        • 9.3.2.2.1. By Service
        • 9.3.2.2.2. By Content
        • 9.3.2.2.3. By Platform
        • 9.3.2.2.4. By Application
    • 9.3.3. South Africa Music Streaming Market Outlook
      • 9.3.3.1. Market Size & Forecast
        • 9.3.3.1.1. By Value
      • 9.3.3.2. Market Share & Forecast
        • 9.3.3.2.1. By Service
        • 9.3.3.2.2. By Content
        • 9.3.3.2.3. By Platform
        • 9.3.3.2.4. By Application

10. South America Music Streaming Market Outlook

  • 10.1. Market Size & Forecast
    • 10.1.1. By Value
  • 10.2. Market Share & Forecast
    • 10.2.1. By Service
    • 10.2.2. By Content
    • 10.2.3. By Platform
    • 10.2.4. By Application
    • 10.2.5. By Country
  • 10.3. South America: Country Analysis
    • 10.3.1. Brazil Music Streaming Market Outlook
      • 10.3.1.1. Market Size & Forecast
        • 10.3.1.1.1. By Value
      • 10.3.1.2. Market Share & Forecast
        • 10.3.1.2.1. By Service
        • 10.3.1.2.2. By Content
        • 10.3.1.2.3. By Platform
        • 10.3.1.2.4. By Application
    • 10.3.2. Colombia Music Streaming Market Outlook
      • 10.3.2.1. Market Size & Forecast
        • 10.3.2.1.1. By Value
      • 10.3.2.2. Market Share & Forecast
        • 10.3.2.2.1. By Service
        • 10.3.2.2.2. By Content
        • 10.3.2.2.3. By Platform
        • 10.3.2.2.4. By Application
    • 10.3.3. Argentina Music Streaming Market Outlook
      • 10.3.3.1. Market Size & Forecast
        • 10.3.3.1.1. By Value
      • 10.3.3.2. Market Share & Forecast
        • 10.3.3.2.1. By Service
        • 10.3.3.2.2. By Content
        • 10.3.3.2.3. By Platform
        • 10.3.3.2.4. By Application

11. Market Dynamics

  • 11.1. Drivers
  • 11.2. Challenges

12. Market Trends & Developments

  • 12.1. Merger & Acquisition (If Any)
  • 12.2. Product Launches (If Any)
  • 12.3. Recent Developments

13. Global Music Streaming Market: SWOT Analysis

14. Porter's Five Forces Analysis

  • 14.1. Competition in the Industry
  • 14.2. Potential of New Entrants
  • 14.3. Power of Suppliers
  • 14.4. Power of Customers
  • 14.5. Threat of Substitute Products

15. Competitive Landscape

  • 15.1. Spotify USA Inc.
    • 15.1.1. Business Overview
    • 15.1.2. Products & Services
    • 15.1.3. Recent Developments
    • 15.1.4. Key Personnel
    • 15.1.5. SWOT Analysis
  • 15.2. Apple Inc.
  • 15.3. Google LLC
  • 15.4. Amazon.com Services LLC
  • 15.5. Tencent Music Entertainment Group
  • 15.6. SoundCloud Limited
  • 15.7. Deezer S.A.
  • 15.8. Block, Inc.
  • 15.9. Pandora Media, LLC
  • 15.10. Xandrie S.A.

16. Strategic Recommendations

17. About Us & Disclaimer