全球音乐出版市场规模：按特许权类型、收入来源、最终用户、地区、范围和预测

音乐出版市场规模及预测

2023年音乐出版市场规模为60亿美元，预计2024年至2030年复合年增长率为8.95%，到2030年将达到96.6亿美元。

音乐出版市场的全球市场推动因素

音乐出版市场的市场推动因素可能受到多种因素的影响。

数位串流媒体的成长：

数位串流媒体的成长：由于音乐消费的增加，对处理版权和版税的音乐出版服务的需求不断增长。这可以从数位串流媒体平台的兴起中看出。

世界音乐消费：

随着智慧型手机和网路的普及，音乐消费在全球不断扩大。这对音乐出版商管理不同市场的版权提出了越来越高的要求。

新收入来源的出现：

为了增加收入，音乐出版组织正在利用新的收入来源，例如电玩、电视节目和电影的同步授权。

对独特内容的需求：

独立艺术家、社群媒体使用者和串流平台对独特内容的需求不断增长，为音乐出版商获得音乐收藏授权并从中获利创造了更多机会。

唱片公司之间的合作：

音乐家和音乐出版商之间的合作正在增加。这将创造新的合资企业、合作和授权机会，并为音乐出版业创造收入。

技术开发：

透过区块链技术的透明版权监控和人工智慧驱动的内容推荐演算法等技术发展，音乐发布流程的效率和透明度得到了提高。

元资料的重要性日益增加：

在数位时代，对版权管理、内容发现和版税监控的需求增加了音乐出版中准确元资料的重要性。

现场活动的成长：

音乐会、节日和巡迴演出等现场活动的增加为音乐出版商获得表演权许可并从现场表演中赚取收入创造了更多机会。

音乐市场的全球化：

音乐出版商有机会透过音乐市场的全球化和跨境合作来扩大其国际许可和发行网络。

个人化音乐体验的需求：

人工智慧驱动的推荐引擎和精心製作的播放清单正在推动对个人化音乐体验的需求。

全球音乐出版市场的抑制因素

有几个因素可能会成为音乐出版市场的限製或挑战。这是一个例子：

盗版与侵害版权：

这两个问题持续为音乐出版业带来严重问题，造成财务损失和法律纠纷。

复杂的版权管理：

权利管理的复杂性、多个利害关係人和分散的权利所有者使得授权、版税分配和版权执行变得更加困难。

实体销售量下降：

由于 CD 和唱片等实体音乐销售下降以及收入来源减少，音乐出版商不得不适应数位发行策略。

来自串流平台的压力：

收入分享协议和串流版税费率可能会影响音乐发行商的利润，尤其是对于独立发行商和作曲家而言。

分散的商业格局：

由于音乐出版业务的分散性，版权费分配和收取可能会复杂且低效。该业务由收藏协会、PRO（表演权组织）和众多出版商主导。

许可难度：

音乐出版商可能会发现，由于授权问题（例如复杂的授权协议和确保视听内容的同步授权），很难产生收入。

资料透明度与品质：

资料品质不佳以及不透明的版税报告和分配可能会导致音乐出版商和权利所有者之间的衝突和分歧。

DIY平台衝突：

现有的音乐出版商面临来自DIY (DIY) 平台和直接发行管道的出现的竞争，这些平台和直接发行管道允许音乐家绕过传统的音乐出版服务。

监理变化：

音乐出版商的法律环境和商业策略可能会受到版权改革和数位版权管理法等监管变化的影响，需要适应和合规活动。

市场不确定性：

音乐出版业的稳定性和成长前景可能会受到市场不确定性的影响，例如消费者偏好的变化、技术颠覆和经济衰退。

目录

第一章简介

• 市场定义
• 市场区隔
• 调查方法

第 2 章执行摘要

• 主要发现
• 市场概览
• 市场亮点

第三章市场概述

• 市场规模与成长潜力
• 市场趋势
• 市场推动因素
• 市场阻碍因素
• 市场机会
• 波特五力分析

第 4 章音乐出版市场：依特许类型划分

• 机械特许权
• 表演权
• 同步权限

第 5 章音乐出版市场：依收入来源划分

• 版税
• 精简许可
• 订阅

第 6 章音乐出版市场：依最终用户划分

• 唱片公司
• 艺术家与词曲作者
• 媒体与娱乐公司

第七章区域分析

• 北美
• 美国
• 加拿大
• 墨西哥
• 欧洲
• 英国
• 德国
• 法国
• 义大利
• 亚太地区
• 中国
• 日本
• 印度
• 澳大利亚
• 拉丁美洲
• 巴西
• 阿根廷
• 智利
• 中东/非洲
• 南非
• 沙乌地阿拉伯
• 阿拉伯联合大公国

第 8 章市场动态

• 市场推动因素
• 市场阻碍因素
• 市场机会
• 新冠肺炎 (COVID-19) 对市场的影响

第九章竞争态势

• 主要公司
• 市占率分析

第十章公司简介

• Universal Music Group（UMG）（France）
• Sony Music Entertainment（Japan）
• Warner Music Group（WMG）（USA）
• Concord Music Group（USA）
• BMG Rights Management（Germany）
• Kobalt Music Group（UK）
• SESAC（USA）
• ASCAP（USA）
• BMI（USA）

第 11 章市场前景与机会

• 新兴技术
• 未来市场趋势
• 投资机会

第12章附录

• 缩写列表
• 来源与参考文献

Music Publishing Market Size And Forecast

Music Publishing Market size was valued at USD 6.0 Billion in 2023 and is projected to reach USD 9.66 Billion by 2030 , growing at a CAGR of 8.95% during the forecast period 2024-2030. Global Music Publishing Market Drivers The market drivers for the Music Publishing Market can be influenced by various factors. These may include: Growth of Digital Streaming:

As a result of rising music consumption, there is a greater need for music publishing services to handle copyrights and royalties. This is seen in the rise of digital streaming platforms.

Global Music Consumption:

Due to the widespread use of smartphones and the internet, music consumption has become more widespread worldwide. This has increased the demand on music publishers to manage rights in a variety of markets.

Emergence of New Revenue Streams:

To boost revenue, music publishing organizations are taking use of new revenue streams like video game, TV show, and movie synchronization licensing.

Demand for unique Content:

Music publishers now have more chances to license and profit from music collections thanks to the growing demand for unique content from independent artists, social media users, and streaming platforms.

Collaboration Amongst Record Labels:

Musicians, and music publishers is increasing. This leads to new joint ventures, collaborations, and licensing opportunities that provide income for the music publishing sector.

Technological Developments:

The efficiency and transparency of music publishing processes are being enhanced by technological developments such as blockchain for transparent royalties monitoring and AI-driven content recommendation algorithms.

Growing Significance of Metadata:

In the digital age, the requirement for rights management, content discovery, and royalty monitoring has led to a growing significance of precise metadata in music publication.

Growth of Live Events:

Music publishers now have more chances to license performance rights and make money from live performances as a result of the growth of live events including concerts, festivals, and tours.

Globalization of Music Markets:

Music publishers have the opportunity to grow their licensing and distribution networks internationally through the globalization of music markets and cross-border collaborations.

Need for Personalized Music Experiences:

AI-powered recommendation engines and carefully crafted playlists are fueling the need for personalized music experiences, which gives record labels the chance to license and profit from a wide range of musical works.

Global Music Publishing Market Restraints

Several factors can act as restraints or challenges for the Music Publishing Market. These may include:

Piracy and Copyright Violations:

These two issues continue to pose serious problems for the music publishing sector, resulting in financial losses and legal conflicts.

Complicated Copyright Management:

Licensing, royalty distribution, and copyright enforcement are made more difficult by the complexity of rights management, which includes several stakeholders and dispersed rights ownership.

Decline in Physical Sales:

Music publishers must adjust to digital distribution strategies as a result of the drop in physical sales of music, including CDs and vinyl albums, which lowers their revenue streams.

Pressure from streaming Platforms:

on revenue sharing agreements and streaming royalty rates may have an effect on music publishers' earnings, particularly for independent publishers and composers.

Fragmented business Landscape:

The distribution and collection of royalties can be complicated and inefficient due to the fragmented nature of the music publishing business, which is dominated by collecting societies, PROs (Performance Rights Organizations), and a multitude of publishers.

Difficulties in Obtaining Licensing:

Music publishers may face difficulties in generating revenue due to licensing issues, such as intricate licensing agreements and securing synchronization licenses for audiovisual content.

Data Transparency and Quality:

Inconsistencies and disagreements between music publishing companies and rights holders can result from poor data quality and opaqueness in royalty reporting and distribution.

DIY Platforms' Competition:

Established music publishers face competition from the emergence of DIY (do-it-yourself) platforms and direct distribution channels, which enable musicians to circumvent traditional music publishing services.

Regulatory Shifts:

The legal environment and commercial strategies of music publishers may be impacted by regulatory shifts, such as copyright reform and laws pertaining to digital rights management, necessitating adaptation and compliance activities.

Market Uncertainty:

The stability and growth prospects of the music publishing sector can be impacted by market uncertainties such as shifts in consumer tastes, technological disruptions, and economic downturns.

Global Music Publishing Market Segmentation Analysis

The Global Music Publishing Market is Segmented on the basis of Type of Rights, Revenue Source, End-Users, and Geography.

By Type of Rights

Mechanical Rights:

Rights related to the reproduction and distribution of musical compositions, including digital downloads, physical sales (CDs, vinyl), and streaming.

Performance Rights:

Rights related to the public performance of musical compositions, including radio broadcasts, live performances, and digital streaming.

Synchronization Rights:

Rights related to the use of music in audiovisual content, including films, TV shows, commercials, video games, and online videos.

By Revenue Source

Royalties:

Revenue generated from licensing fees, royalties, and performance income paid to rights holders, including songwriters, composers, and publishers.

Sync Licensing:

Revenue generated from licensing music for synchronization in audiovisual content, such as films, TV shows, commercials, and video games.

Subscriptions:

Revenue generated from subscription-based music services, including streaming platforms, where users pay a monthly fee for access to music catalogs.

By End-Users

Record Labels:

Music publishing services provided to record labels for managing copyrights, licensing, and royalty collection on behalf of artists and songwriters.

Artists and Songwriters:

Direct music publishing services provided to individual artists, bands, and songwriters for managing their music catalogs, copyrights, and royalties.

Media and Entertainment Companies:

Music publishing services provided to media and entertainment companies, including film studios, TV networks, advertising agencies, and video game developers, for licensing music for audiovisual content.

By Geography

North America:

Including the United States and Canada, characterized by a mature music publishing market with established publishers, PROs (Performance Rights Organizations), and collecting societies.

Europe:

Covering countries such as the United Kingdom, Germany, France, and Italy, with diverse music markets and regulatory frameworks governing music publishing rights and royalties.

Asia-Pacific:

Encompassing regions like China, Japan, South Korea, and India, experiencing rapid growth in digital music consumption and streaming platforms, driving demand for music publishing services.

Latin America:

Including countries such as Brazil, Mexico, Argentina, and Colombia, with growing music markets and increasing demand for music publishing services in film, TV, advertising, and digital media.

Middle East and Africa:

Witnessing emerging music markets and increasing digital penetration, creating opportunities for music publishing services in licensing and rights management.

Keyplayers

The major players in the Music Publishing Market are:

Universal Music Group (UMG) (France)

Sony Music Entertainment (Japan)

Warner Music Group (WMG) (USA)

Concord Music Group (USA)

BMG Rights Management (Germany)

Kobalt Music Group (UK)

SESAC (USA)

ASCAP (USA)

BMI (USA)

TABLE OF CONTENTS

1. Introduction

• Market Definition
• Market Segmentation
• Research Methodology

2. Executive Summary

• Key Findings
• Market Overview
• Market Highlights

3. Market Overview

• Market Size and Growth Potential
• Market Trends
• Market Drivers
• Market Restraints
• Market Opportunities
• Porter's Five Forces Analysis

4. Music Publishing Market, By Type of Rights

• Mechanical Rights
• Performance Rights
• Synchronization Rights

5. Music Publishing Market, By Revenue Source

• Royalties
• Sync Licensing
• Subscriptions

6. Music Publishing Market, By End-Users

• Record Labels
• Artists and Songwriters
• Media and Entertainment Companies

7. Regional Analysis

• North America
• United States
• Canada
• Mexico
• Europe
• United Kingdom
• Germany
• France
• Italy
• Asia-Pacific
• China
• Japan
• India
• Australia
• Latin America
• Brazil
• Argentina
• Chile
• Middle East and Africa
• South Africa
• Saudi Arabia
• UAE

8. Market Dynamics

• Market Drivers
• Market Restraints
• Market Opportunities
• Impact of COVID-19 on the Market

9. Competitive Landscape

• Key Players
• Market Share Analysis

10. Company Profiles

• Universal Music Group (UMG) (France)
• Sony Music Entertainment (Japan)
• Warner Music Group (WMG) (USA)
• Concord Music Group (USA)
• BMG Rights Management (Germany)
• Kobalt Music Group (UK)
• SESAC (USA)
• ASCAP (USA)
• BMI (USA)

11. Market Outlook and Opportunities

• Emerging Technologies
• Future Market Trends
• Investment Opportunities

12. Appendix

• List of Abbreviations
• Sources and References