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市场调查报告书

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1448652

全球现场音乐市场研究报告 - 2024 年至 2032 年产业分析、规模、份额、成长、趋势和预测

Global Live Music Market Research Report - Industry Analysis, Size, Share, Growth, Trends and Forecast 2024 to 2032

出版日期: 2024年02月01日 | 出版商:

Value Market Research | 英文 132 Pages | 商品交期: 最快1-2个工作天内

价格

简介目录图表

全球现场音乐市场需求预计将从 2023 年的 122.2 亿美元达到近 209.7 亿美元的市场规模，2024-2032 年研究期间CAGR为 6.19%。

现场音乐是指音乐家在观众面前即时演奏和唱歌的表演。这可以涵盖多种类型和场景，包括音乐会、节日、俱乐部表演等。

市场动态

现场音乐表演的普遍吸引力和对共享文化体验的内在渴望促成了现场音乐活动的持久流行。音乐会、节庆和表演在艺术家和观众之间提供了独特的联繫，培养了社区意识和享受感。此外，活动製作、音响技术和场馆设施的进步增强了整体现场音乐体验，吸引了各种各样的音乐会观众。现场音乐在娱乐产业中的重要性日益增加，包括门票销售和商品收入，进一步推动了市场成长。随着艺术家和推广者适应不断变化的消费者偏好并拥抱数位平台，现场音乐市场有望持续扩张，为观众提供跨各种流派和环境的身临其境且令人难忘的现场音乐体验。

研究报告涵盖波特五力模型、市场吸引力分析和价值链分析。这些工具有助于清晰地了解行业结构并评估全球范围内的竞争吸引力。此外，这些工具也对全球现场音乐市场的各个细分市场进行了包容性评估。现场音乐产业的成长和趋势为本研究提供了整体方法。

市场区隔

现场音乐市场报告的这一部分提供了国家和地区层面细分市场的详细资料，从而帮助策略师确定相应产品或服务的目标人群以及即将到来的机会。

按应用

派对
音乐会
其他的

按类型

金属
岩石
古典
流行音乐
布鲁斯
电子乐
其他的

区域分析

本节涵盖区域前景，重点介绍北美、欧洲、亚太地区、拉丁美洲以及中东和非洲现场音乐市场当前和未来的需求。此外，该报告重点关注所有主要地区各个应用领域的需求、估计和预测。

该研究报告还涵盖了市场主要参与者的全面概况以及对全球竞争格局的深入了解。现场音乐市场的主要参与者包括 Ticketmaster、Live Nation、Eventbrite、AEG Presents、Songkick、StubHub、Sofar Sounds、See Tickets、CTS Eventim、AXS、Viagogo、Bandsintown、SeatGeek、Pollstar、Dice。本节包含竞争格局的整体视图，包括各种策略发展，例如关键併购、未来产能、合作伙伴关係、财务概况、合作、新产品开发、新产品发布和其他发展。

如果您有任何客製化要求，请写信给我们。我们的研究团队可以根据您的需求提供客製化报告。

区域展望
介绍
北美销售分析
- 概览、历史与预测资料销售分析
- 北美按细分市场销售分析
- 北美按国家销售分析
- 美国销售分析
- 加拿大销售分析
- 墨西哥销售分析
欧洲销售分析
- 概览、历史与预测资料销售分析
- 欧洲按细分市场销售分析
- 欧洲按国家销售分析
- 英国销售分析
- 法国销售分析
- 德国销售分析
- 义大利销售分析
- 俄罗斯销售分析
- 欧洲其他地区销售分析
亚太地区销售分析
- 概览、历史与预测资料销售分析
- 亚太地区按细分市场销售分析
- 亚太地区国家/地区销售分析
- 中国销售分析
- 印度销售分析
- 日本销售分析
- 韩国销售分析
- 澳洲销售分析
- 东南亚销售分析
- 亚太地区其他地区销售分析
拉丁美洲销售分析
- 概览、历史与预测资料销售分析
- 拉丁美洲按细分市场销售分析
- 拉丁美洲按国家销售分析
- 巴西销售分析
- 阿根廷销售分析
- 秘鲁销售分析
- 智利销售分析
- 拉丁美洲其他地区销售分析
中东和非洲销售分析
- 概览、历史与预测资料销售分析
- 中东和非洲按细分市场销售分析
- 中东和非洲国家销售分析
- 沙乌地阿拉伯销售分析
- 阿联酋销售分析
- 以色列销售分析
- 南非销售分析
- 中东其他地区和非洲销售分析

第 8 章：现场音乐公司的竞争格局

现场音乐市场竞赛
伙伴关係/协作/协议
併购
新产品发布
其他发展

第 9 章：公司简介

顶级公司市占率分析
市场集中度
Ticketmaster

公司简介
公司收入
产品
最近的发展

Live Nation

公司简介
公司收入
产品
最近的发展

Eventbrite

公司简介
公司收入
产品
最近的发展

AEG Presents

公司简介
公司收入
产品
最近的发展

Songkick

公司简介
公司收入
产品
最近的发展

StubHub

公司简介
公司收入
产品
最近的发展

Sofar Sounds

公司简介
公司收入
产品
最近的发展

See Tickets

公司简介
公司收入
产品
最近的发展

CTS Eventim

公司简介
公司收入
产品
最近的发展

公司简介
公司收入
产品
最近的发展

Viagogo

公司简介
公司收入
产品
最近的发展

Bandsintown

公司简介
公司收入
产品
最近的发展

SeatGeek

公司简介
公司收入
产品
最近的发展

Pollstar

公司简介
公司收入
产品
最近的发展

Dice

公司简介
公司收入
产品
最近的发展

注意 - 在公司概况中，财务详细资讯和近期发展视情况而定，或者如果是私人公司，则可能不包括在内

简介目录图表

Product Code: VMR112113688

The global demand for Live Music Market is presumed to reach the market size of nearly USD 20.97 Billion by 2032 from USD 12.22 Billion in 2023 with a CAGR of 6.19% under the study period 2024 - 2032.

Live music refers to a performance where musicians play and sing in real time before an audience. This can encompass a wide range of genres and settings, including concerts, festivals, club performances, and more.

MARKET DYNAMICS

The universal appeal of live musical performances and the inherent desire for shared cultural experiences contribute to the enduring popularity of live music events. Concerts, festivals, and performances provide a unique connection between artists and audiences, fostering a sense of community and enjoyment. Additionally, advancements in event production, sound technology, and venue facilities enhance the overall live music experience, attracting a diverse range of concertgoers. The growing importance of live music in the entertainment industry, including revenue from ticket sales and merchandise, further drives market growth. As artists and promoters adapt to changing consumer preferences and embrace digital platforms, the live music market is poised for continuous expansion, offering audiences immersive and memorable live music experiences across various genres and settings.

The research report covers Porter's Five Forces Model, Market Attractiveness Analysis, and Value Chain analysis. These tools help to get a clear picture of the industry's structure and evaluate the competition attractiveness at a global level. Additionally, these tools also give an inclusive assessment of each segment in the global market of live music. The growth and trends of live music industry provide a holistic approach to this study.

MARKET SEGMENTATION

This section of the live music market report provides detailed data on the segments at country and regional level, thereby assisting the strategist in identifying the target demographics for the respective product or services with the upcoming opportunities.

By Application

Party
Concerts
Others

By Type

Metal
Rock
Classical
Pop
Blues
Electronica
Others

REGIONAL ANALYSIS

This section covers the regional outlook, which accentuates current and future demand for the Live Music market across North America, Europe, Asia-Pacific, Latin America, and Middle East & Africa. Further, the report focuses on demand, estimation, and forecast for individual application segments across all the prominent regions.

The research report also covers the comprehensive profiles of the key players in the market and an in-depth view of the competitive landscape worldwide. The major players in the Live Music market include Ticketmaster, Live Nation, Eventbrite, AEG Presents, Songkick, StubHub, Sofar Sounds, See Tickets, CTS Eventim, AXS, Viagogo, Bandsintown, SeatGeek, Pollstar, Dice. This section consists of a holistic view of the competitive landscape that includes various strategic developments such as key mergers & acquisitions, future capacities, partnerships, financial overviews, collaborations, new product developments, new product launches, and other developments.

In case you have any custom requirements, do write to us. Our research team can offer a customized report as per your need.

1 . PREFACE

1.1. Report Description
- 1.1.1. Objective
- 1.1.2. Target Audience
- 1.1.3. Unique Selling Proposition (USP) & offerings
1.2. Research Scope
1.3. Research Methodology
- 1.3.1. Market Research Process
- 1.3.2. Market Research Methodology

2 . EXECUTIVE SUMMARY

2.1. Highlights of Market
2.2. Global Market Snapshot

3 . LIVE MUSIC - INDUSTRY ANALYSIS

3.1. Introduction - Market Dynamics
3.2. Market Drivers
3.3. Market Restraints
3.4. Opportunities
3.5. Industry Trends
3.6. Porter's Five Force Analysis
3.7. Market Attractiveness Analysis
- 3.7.1 Market Attractiveness Analysis By Application
- 3.7.2 Market Attractiveness Analysis By Type
- 3.7.3 Market Attractiveness Analysis By Region

4 . VALUE CHAIN ANALYSIS

4.1. Value Chain Analysis
4.2. Raw Material Analysis
- 4.2.1. List of Raw Materials
- 4.2.2. Raw Material Manufactures List
- 4.2.3. Price Trend of Key Raw Materials
4.3. List of Potential Buyers
4.4. Marketing Channel
- 4.4.1. Direct Marketing
- 4.4.2. Indirect Marketing
- 4.4.3. Marketing Channel Development Trend

5 . GLOBAL LIVE MUSIC MARKET ANALYSIS BY APPLICATION

5.1 Overview by Application
5.2 Historical and Forecast Data
5.3 Analysis by Application
5.4 Party Historic and Forecast Sales by Regions
5.5 Concerts Historic and Forecast Sales by Regions
5.6 Others Historic and Forecast Sales by Regions

6 . GLOBAL LIVE MUSIC MARKET ANALYSIS BY TYPE

6.1 Overview by Type
6.2 Historical and Forecast Data
6.3 Analysis by Type
6.4 Metal Historic and Forecast Sales by Regions
6.5 Rock Historic and Forecast Sales by Regions
6.6 Classical Historic and Forecast Sales by Regions
6.7 Pop Historic and Forecast Sales by Regions
6.8 Blues Historic and Forecast Sales by Regions
6.9 Electronica Historic and Forecast Sales by Regions
6.10. Others Historic and Forecast Sales by Regions

7 . GLOBAL LIVE MUSIC MARKET ANALYSIS BY GEOGRAPHY

7.1. Regional Outlook
7.2. Introduction
7.3. North America Sales Analysis
- 7.3.1. Overview, Historic and Forecast Data Sales Analysis
- 7.3.2. North America By Segment Sales Analysis
- 7.3.3. North America By Country Sales Analysis
- 7.3.4. United State Sales Analysis
- 7.3.5. Canada Sales Analysis
- 7.3.6. Mexico Sales Analysis
7.4. Europe Sales Analysis
- 7.4.1. Overview, Historic and Forecast Data Sales Analysis
- 7.4.2. Europe by Segment Sales Analysis
- 7.4.3. Europe by Country Sales Analysis
- 7.4.4. United Kingdom Sales Analysis
- 7.4.5. France Sales Analysis
- 7.4.6. Germany Sales Analysis
- 7.4.7. Italy Sales Analysis
- 7.4.8. Russia Sales Analysis
- 7.4.9. Rest Of Europe Sales Analysis
7.5. Asia Pacific Sales Analysis
- 7.5.1. Overview, Historic and Forecast Data Sales Analysis
- 7.5.2. Asia Pacific by Segment Sales Analysis
- 7.5.3. Asia Pacific by Country Sales Analysis
- 7.5.4. China Sales Analysis
- 7.5.5. India Sales Analysis
- 7.5.6. Japan Sales Analysis
- 7.5.7. South Korea Sales Analysis
- 7.5.8. Australia Sales Analysis
- 7.5.9. South East Asia Sales Analysis
- 7.5.10. Rest Of Asia Pacific Sales Analysis
7.6. Latin America Sales Analysis
- 7.6.1. Overview, Historic and Forecast Data Sales Analysis
- 7.6.2. Latin America by Segment Sales Analysis
- 7.6.3. Latin America by Country Sales Analysis
- 7.6.4. Brazil Sales Analysis
- 7.6.5. Argentina Sales Analysis
- 7.6.6. Peru Sales Analysis
- 7.6.7. Chile Sales Analysis
- 7.6.8. Rest of Latin America Sales Analysis
7.7. Middle East & Africa Sales Analysis
- 7.7.1. Overview, Historic and Forecast Data Sales Analysis
- 7.7.2. Middle East & Africa by Segment Sales Analysis
- 7.7.3. Middle East & Africa by Country Sales Analysis
- 7.7.4. Saudi Arabia Sales Analysis
- 7.7.5. UAE Sales Analysis
- 7.7.6. Israel Sales Analysis
- 7.7.7. South Africa Sales Analysis
- 7.7.8. Rest Of Middle East And Africa Sales Analysis

8 . COMPETITIVE LANDSCAPE OF THE LIVE MUSIC COMPANIES

8.1. Live Music Market Competition
8.2. Partnership/Collaboration/Agreement
8.3. Merger And Acquisitions
8.4. New Product Launch
8.5. Other Developments

9 . COMPANY PROFILES OF LIVE MUSIC INDUSTRY

9.1. Top Companies Market Share Analysis
9.2. Market Concentration Rate
9.3. Ticketmaster
- 9.3.1. Company Overview
- 9.3.2. Company Revenue
- 9.3.3. Products
- 9.3.4. Recent Developments
9.4. Live Nation
- 9.4.1. Company Overview
- 9.4.2. Company Revenue
- 9.4.3. Products
- 9.4.4. Recent Developments
9.5. Eventbrite
- 9.5.1. Company Overview
- 9.5.2. Company Revenue
- 9.5.3. Products
- 9.5.4. Recent Developments
9.6. AEG Presents
- 9.6.1. Company Overview
- 9.6.2. Company Revenue
- 9.6.3. Products
- 9.6.4. Recent Developments
9.7. Songkick
- 9.7.1. Company Overview
- 9.7.2. Company Revenue
- 9.7.3. Products
- 9.7.4. Recent Developments
9.8. StubHub
- 9.8.1. Company Overview
- 9.8.2. Company Revenue
- 9.8.3. Products
- 9.8.4. Recent Developments
9.9. Sofar Sounds
- 9.9.1. Company Overview
- 9.9.2. Company Revenue
- 9.9.3. Products
- 9.9.4. Recent Developments
9.10. See Tickets
- 9.10.1. Company Overview
- 9.10.2. Company Revenue
- 9.10.3. Products
- 9.10.4. Recent Developments
9.11. CTS Eventim
- 9.11.1. Company Overview
- 9.11.2. Company Revenue
- 9.11.3. Products
- 9.11.4. Recent Developments
9.12. AXS
- 9.12.1. Company Overview
- 9.12.2. Company Revenue
- 9.12.3. Products
- 9.12.4. Recent Developments
9.13. Viagogo
- 9.13.1. Company Overview
- 9.13.2. Company Revenue
- 9.13.3. Products
- 9.13.4. Recent Developments
9.14. Bandsintown
- 9.14.1. Company Overview
- 9.14.2. Company Revenue
- 9.14.3. Products
- 9.14.4. Recent Developments
9.15. SeatGeek
- 9.15.1. Company Overview
- 9.15.2. Company Revenue
- 9.15.3. Products
- 9.15.4. Recent Developments
9.16. Pollstar
- 9.16.1. Company Overview
- 9.16.2. Company Revenue
- 9.16.3. Products
- 9.16.4. Recent Developments
9.17. Dice
- 9.17.1. Company Overview
- 9.17.2. Company Revenue
- 9.17.3. Products
- 9.17.4. Recent Developments